The Canadian Chekhov’s ninth book (after her recent triumphs Friend of My Youth, 1990, and Open Secrets, 1994) contains eight long stories that resemble Munro’s mature work in their tendency toward leisurely development and complex narrative. As always, their province is both the author’s native Ontario and the experiential territory denoted by the title of an earlier volume, Lives of Girls and Women (1973). The inchoate understanding possessed by husbands and wives whose intimacies never fully accommodate their unshared histories, siblings who have inevitably endured (or imagined) imbalance and unfairness, parents and children unhinged by the emotional variations to which their one flesh is susceptible—all are central to these elaborately woven tales of people’s disillusioning plunges into the depths of their own and others’ lives. But this time around the stories seem overloaded, distended by successive disclosures that move us unconvincingly away from their thematic and structural centers. In “Save the Reaper,” for instance, essential details about its characters’ relationships are withheld for so long that we never empathize sufficiently with the harried, lonely grandmother whose momentary impulsiveness endangers her family and herself. “My Mother’s Dream” reimagines from a daughter’s perspective—and in almost ludicrously melodramatic terms—her mother’s ordeal among her late husband’s controlling family. “The Children stay” overemphatically delineates the moral unraveling of an adulterous wife who unwisely makes “the choice of fantasy.” To be fair, a few of the stories are, even by Munro’s high standards, exemplary: notably “Cortes Island,” in which a bored housewife’s vivid imagination may or may not have exaggerated incriminating facts about her odd landlords; and especially the fine title novella, about the death of a small-town optometrist, the extremities to which well-meaning ordinary people are driven, and the burden helplessly shouldered by a “practical nurse” (there’s a lovely irony therein) caught between “Trying to ease people. Trying to be good” and telling what she wishes not to know. A mixed bag, then, through which we too often sense Munro straining to extend and intensify her stories. The unfortunate result is her weakest book yet.
Pub Date: Nov. 1, 1998
ISBN: 0-375-40395-7
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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