Well-intentioned and readable, but very broadly drawn and often gratingly rah-rah.
A feisty middle-aged black woman sheds 70 pounds and rekindles the flame with her preacher husband.
Approaching her 25th college reunion, 220-pound Ada Howard decides to get out of her 3X sweats and work towards that stretchy size-10 black dress at Target. It’s not just that she wants to look good at the reunion for foxy old flame Matt Manson, who appends a handwritten message (“Honey Babe. It’s been too long.”) to the invitation. And it’s not just that her preacher husband, Lucius, might very well be cheating on her. (He’s lost weight, bought a new car and is never home.) Getting slim and healthy is a political issue for Ada. Her three older sisters died of diabetes before they turned 60, and every day at KidPlay, the day care center she runs in Nashville, she sees a parade of oversized African-American women feeding their children the same fattening junk food they eat themselves. So Ada embarks on a program of exercise and diet based on the list of 53 rules that opens this self-help manual delivered in a fictional format. For the most part, the rules are nothing you couldn’t find in an actual diet book—though probably not “Get better hair down there,” which forecasts the earthy humor with which Randall (Rebel Yell, 2009, etc.) in subsequent pages chronicles Ada’s journey toward size 10 and a revitalized marriage. When Ada visits the four congregants she suspects of being her husband’s bit on the side, instead of confessions, she hears a litany of the sexual tributes to his wife that Preach recited when invited to adultery. His highly improbable confidences are typical of the novel’s relentlessly positive tone; Randall’s emphasis on black pride and self-respect, while understandable, makes for predictable fiction. A quick aside about a betrayal by Ada’s best friend Delila strikes the only note of adult complexity in a book dedicated to simple cheerleading.
Well-intentioned and readable, but very broadly drawn and often gratingly rah-rah.Pub Date: May 1, 2012
ISBN: 978-1-60819-827-6
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: May 1, 2012
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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