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SUCH A LITTLE MOUSE

Perfectly charming.

Four seasons, as seen through the eyes of a country mouse.

The book begins in spring. “In the middle of the meadow, under a clump of dandelions, there is a hole.” Out pops “[s]uch a little mouse,” with “ears pink as petals” and a tiny smile. He sees bees on clover blossoms and his own reflection in a puddle. Each season is represented in one exploratory day. In summer, the mouse sees beavers and a porcupine; in autumn, rustling leaves, honking geese and busy ants. When winter arrives, he sees his landscape covered in snow. “Brrrrrrr,” he says, retreating underground to his cozy burrow, which features tunnels and many discrete rooms—a bedroom, a kitchen and a fully stocked larder. All year he’s been storing seeds, watercress and acorns; now he can bake acorn bread and cook seed-and-watercress soup. Preschoolers will recognize the wooden alphabet blocks that form the base of his counter. Seasons and animals aren’t new topics, but Yue’s idyllic meadowscapes are full of clean, fresh air. From full-page to spot illustrations, from the breezy greens, blues and yellows of spring to the rustic browns of underground, her colors glow gently. Her lines have a light touch but feel grounding; fine details, shadings and a real feel for weather make this special. Shelve with Richard Scarry’s I Am a Bunny (1963) and Margaret Wise Brown and Garth Williams’ Little Fur Family (1946).

Perfectly charming. (Picture book. 3-5)

Pub Date: March 31, 2015

ISBN: 978-0-545-64929-2

Page Count: 32

Publisher: Orchard/Scholastic

Review Posted Online: Dec. 5, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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DAD

A powerful affirmation for all dads—the good, the flawed, and those doing the best they can.

Dedicating his latest to “caregivers who give what they never got,” Caldecott Honor winner Robinson explores complicated feelings around fatherhood.

From the outset, the book appears to be a standard-issue Father’s Day offering, pairing brief, loving sentiments with images of animals. But it soon becomes clear that Robinson has crafted something much more complex. A frog with tadpoles nestled atop his back (“Dad is here”) is followed by an illustration of an owl leaving the nest (“Dad had to go away”). More contrasts are presented: a seahorse keeping his offspring safe in his pouch (“Dad holds on tight”), two shark pups swimming away from their frenzied-looking patriarch (“Dad need lots of space”). “Dad lets you down and makes mistakes” (a porcupine accidentally jabs his little one), but “Dad picks you up and makes you feel safe” (a lion snuggles his cub). And the human fathers we meet next—diverse in skin tone and ability—are equally multifaceted. Robinson outdoes himself, his bold and richly textured paint and collage artwork popping against the background. His artwork is rife with subtleties for careful readers—for instance, the look of uncertainty in the eyes of the gorilla father described as “strong.” For all its simplicity, this colorful book is laden with meaning, depicting fathers as vulnerable, imperfect, gentle, and empathetic—in a word, deeply human.

A powerful affirmation for all dads—the good, the flawed, and those doing the best they can. (more information on the animals presented) (Picture book. 3-5)

Pub Date: May 12, 2026

ISBN: 9781250397041

Page Count: 48

Publisher: Balzer + Bray

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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