A collection of stories about black women in love and trouble which amounts to the same thing. They've basically got the light touch of her poems and the same slow fondling description as her novel, The Third Life of Grange Copeland. And they deal with transitions in much the same way — by letting things reveal themselves. The stories are just a little thin, though, as Ms. Walker knows because you see her reacting — one finally erupts in frustration with the heroine trying to behead her husband with a power saw. You also see her working out possibilities. She has several interesting successes — horrible suspense in "Strong Horse Tea," integrated violence in "Her Sweet Jerome," latent allegory (the phrase is tog heavy, the point rounds on you ironically) in "The Welcome Table." One or two don't make it off the ground but they look like things she just tried for the sake of trying — like "The Diary of an African Nun," for god's sake. But the real stuff is nice as ever.
Pub Date: Sept. 12, 1973
ISBN: 0156028638
Page Count: 160
Publisher: Harcourt Brace Jovanovich
Review Posted Online: Oct. 6, 2011
Kirkus Reviews Issue: Sept. 1, 1973
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.
A heartland novel that evokes the possibility of everyday miracles.
The third novel by Wisconsin author Butler (Beneath the Bonfire, 2015, etc.) shows that he knows this terrain inside out, in terms of tone and theme as well as geography. Nothing much happens in this small town in western Wisconsin, not far from the river that serves as the border with Minnesota, which attracts some tourism in the summer but otherwise seems to exist outside of time. The seasons change, but any other changes are probably for the worse—local businesses can’t survive the competition of big-box stores, local kids move elsewhere when they grow up, local churches see their congregations dwindle. Sixty-five-year-old Lyle Hovde and his wife, Peg, have lived here all their lives; they were married in the same church where he was baptized and where he’s sure his funeral will be. His friends have been friends since boyhood; he had the same job at an appliance store where he fixed what they sold until the store closed. Then he retired, or semiretired, as he found a new routine as the only employee at an apple orchard, where the aging owners are less concerned with making money than with being good stewards of the Earth. The novel is like a favorite flannel shirt, relaxed and comfortable, well-crafted even as it deals with issues of life and death, faith and doubt that Lyle somehow takes in stride. He and Peg lost their only child when he was just a few months old, a tragedy which shook his faith even as he maintained his rituals. He and Peg subsequently adopted a baby daughter, Shiloh, through what might seem in retrospect like a miracle (it certainly didn’t seem to involve any of the complications and paperwork that adoptions typically involve). Shiloh was a rebellious child who left as soon as she could and has now returned home with her 5-year-old son, Isaac. Grandparenting gives Lyle another chance to experience what he missed with his own son, yet drama ensues when Shiloh falls for a charismatic evangelist who might be a cult leader (and he’s a stranger to these parts, so he can’t be much good). Though the plot builds toward a dramatic climax, it ends with more of a quiet epiphany.
The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.Pub Date: March 5, 2019
ISBN: 978-0-06-246971-7
Page Count: 336
Publisher: Ecco/HarperCollins
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
IN THE NEWS
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...
Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.
Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility(2011).Pub Date: Sept. 6, 2016
ISBN: 978-0-670-02619-7
Page Count: 480
Publisher: Viking
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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