Quietly charming, with a dash of romance.
In this nicely wrought debut, a young widow emerges from her grief thanks to the intrusion of a nine-year-old neighbor and an unwinnable cooking contest.
As the novel opens, Rose-Ellen, Zell to her friends, nearly burns down her house. Attempting to enter the Polly Pinch Desserts That Warm the Soul Baking Contest (a satire of the perky Rachael Ray), Zell doesn’t notice there’s a wrapped present in her preheating oven. The present was left over a year ago by her late husband Nick in a favorite hiding place from the noncooking Zell, and now it is a cindered mess, left unopened and thrown in the attic. The fire serves as a happy catalyst—she begins to reconnect with old friends whom she’s pushed away, and she meets her new neighbor Ingrid, the little girl whose misdelivered Polly Pinch magazine inspired Zell’s attempt at baking. It’s not the baking that interests either of them—Zell wants the $20,000 cash prize to donate to a Hurricane Katrina relief fund—Nick, who worked for their small-town Massachusetts newspaper, was killed in a freak accident while photographing the rebuilding in New Orleans—while Ingrid is obsessed with Polly Pinch because the motherless girl is convinced Polly is her real mom. Zell goes along with this (though she admits, if the redheaded, freckled Polly Pinch were African-American, she would look an awful lot like Ingrid), but the wild story alienates Ingrid at school, and so she and Zell bond and begin baking together. While Ingrid's hunky dad is busy with law school, Zell, her beloved greyhound Ahab and Ingrid spend countless hours in the kitchen creating perfectly inedible desserts. In a story about loneliness, the two are a perfect fit, both attempting in their own ways to re-create connections to their missing loved ones. Then the unthinkable happens—they finally make something good enough to get in the runoffs and are invited on the show, where Ingrid can finally meet her “mother.”
Quietly charming, with a dash of romance.Pub Date: Aug. 5, 2010
ISBN: 978-0-525-95182-7
Page Count: 320
Publisher: Dutton
Review Posted Online: June 16, 2010
Kirkus Reviews Issue: July 1, 2010
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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