Energetic and keen revelations of the life beyond the spotlight of a significant contemporary musician.
The acclaimed singer and songwriter shares her story.
In this passionate and honest autobiography, Keys, who describes herself as “a piano prodigy in cornrows, mixing classical music with hip-hop beats and bass lines alongside a dash of gospel,” opens with a few memories from her childhood, when she was raised by her mother with little involvement from her biological father. She describes how she developed her persona and image and maintained her independence beginning with debut album, Songs in A Minor, which would eventually sell more than 16 million copies. Throughout her career, she has successfully avoided being manipulated by record label executives, many of whom didn’t know how to classify her as an artist. “A record label is a marketing machine,” she notes. “Behind its doors, fledgling artists are crafted into whatever image the label’s execs think they can sell.” Regardless, the reactions by the public quickly pushed Keys to the top of the charts. She chronicles her music-making process and nods to her many collaborators, and she opens a window into her personal life that sheds light on her triumphs, doubts, fears, and the exhausting nature of being thrust into stardom at an early age. She also shares intimate moments with her husband, record producer Swizz Beatz—e.g., the extravagant birthday parties they’ve thrown for each other, the births of her two sons, and the blended family they created with Swizz’s other children—and explains the passions that have led her to start nonprofit organizations and tackle social injustices. In a conversational tone, Keys unveils the woman behind the microphone, giving readers an accessible view of what makes her tick. Since many aspects of her life are apparent in her music, readers may want to listen to an album or two after reading certain sections of the book. One of Kirkus and Rolling Stone’s Best Music Books of 2020.
Energetic and keen revelations of the life beyond the spotlight of a significant contemporary musician.Pub Date: March 31, 2020
ISBN: 978-1-250-15329-6
Page Count: 272
Publisher: Flatiron Books
Review Posted Online: April 20, 2020
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
A heartfelt blend of first-person journalism, oral history, travelogue, and elegy.
A personal profile of a beloved singer-songwriter.
After attending a John Prine concert in New Orleans in 2016—“He might have been an aging Mafia don, or an organizer for the longshoreman’s union, playing a Gibson jumbo guitar that looked almost as big as he was”—veteran author Piazza (City of Refuge, Devil Sent the Rain, etc.) profiled the singer-songwriter for Oxford American magazine. The article—also titled “Living in the Present With John Prine,” led to a friendship as well as a plan to produce Prine’s memoir, which was cut short when Prine died in 2020 from complications caused by Covid-19. He was 73. Piazza repurposed the materials he had gathered to produce this moving work. Equal parts profile, oral history, and on-the-road adventure, the book recounts the artist’s working-class background in suburban Chicago, his family connection to rural Kentucky, his early success with Atlantic Records, and the decision to co-found the label Oh Boy Records. Often writing in the first person and present tense, Piazza recounts his time with Prine, including a spontaneous road trip from Nashville to Sarasota, Florida, in a cherry-red 1977 Coupe de Ville. Piazza also reviews Prine’s body of work, its broad influence, and his unassuming humanity. Comparing Prine to Bob Dylan, Piazza notes, “You don’t want to be him, you just want to hang out with him.” Along the way, the author gathers insights from Prine’s peers, friends, and family. One band member, for example, notes that Prine’s keen emotional intelligence easily overcame his limitations as a musician and singer. A two-time cancer survivor, Prine was already in poor health when Piazza befriended him, but the artist’s good humor and low-key grace shine through on every page.
A heartfelt blend of first-person journalism, oral history, travelogue, and elegy.Pub Date: Sept. 9, 2025
ISBN: 9781324050858
Page Count: 208
Publisher: Norton
Review Posted Online: July 16, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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