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GIRL GONE VIRAL

The leisurely pacing may frustrate some, but this sweet tale of mutual longing finally expressed repays the investment.

The dangers of fame in the internet era draw a former model and her longtime bodyguard closer together.

Katrina King is a retired model–turned–successful angel investor. She has battled debilitating anxiety and panic attacks all her life, thanks in part to her abusive and controlling father, but became terrified of venturing far from her well-secured home after she was kidnapped 10 years ago. She has a loyal, honest, and incredibly good-looking bodyguard in Jasvinder Singh, who also helps run her many ventures. Katrina has had a deep crush on Jas for years but is reluctant to risk their friendship by making a move. She's finally ready to try some exposure therapy at a local cafe when she becomes the subject of a viral social media post. When Katrina is endangered by the ensuing publicity, they retreat to Jas' family’s farm north of Sacramento. Jas is an Army vet with PTSD from a horrifying event that left him with a busted knee and a sense of deep betrayal. Little does Katrina realize that Jas shares her feelings: “It was her small acts of kindness that had sucked him in, her clever intelligence and sweetness that had kept him hooked.” Forced proximity on the farm finally breaks down her caution and his reserve, and they give in to their desires in sexy, sweet scenes. But Jas, a man of few words not used to acknowledging his pain, must stop hiding from his military past and his family issues in order to earn Katrina's love. With so much going on, the romance can feel secondary at times, although the couple’s strong history somewhat makes up for Rai’s (The Right Swipe, 2019, etc.) slowest of slow burns.

The leisurely pacing may frustrate some, but this sweet tale of mutual longing finally expressed repays the investment.

Pub Date: April 21, 2020

ISBN: 978-0-06-287813-7

Page Count: 400

Publisher: Avon/HarperCollins

Review Posted Online: Jan. 26, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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THE GIRL YOU LEFT BEHIND

While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes...

The newest novel by Moyes (Me Before You, 2012, etc.) shares its title with a fictional painting that serves as catalyst in linking two love stories, one set in occupied France during World War I, the other in 21st-century London.

In a French village in 1916, Sophie is helping the family while her husband, Édouard, an artist who studied with Matisse, is off fighting. Sophie’s pluck in standing up to the new German kommandant in the village draws his interest. An art lover, he also notices Édouard's portrait of Sophie, which captures her essence (and the kommandant's adoration). Arranging to dine regularly at Sophie’s inn with his men, he begins a cat-and-mouse courtship. She resists. But learning that Édouard is being held in a particularly harsh “reprisal” camp, she must decide what she will sacrifice for Édouard’s freedom. The rich portrayals of Sophie, her family and neighbors hauntingly capture wartime’s gray morality. Cut to 2006 and a different moral puzzle. Thirty-two-year-old widow Liv has been struggling financially and emotionally since her husband David’s sudden death. She meets Paul in a bar after her purse is stolen. The divorced father is the first man she’s been drawn to since she was widowed. They spend a glorious night together, but after noticing Édouard's portrait of Sophie on Liv’s wall, he rushes away with no explanation. In fact, Paul is as smitten as Liv, but his career is finding and returning stolen art to the rightful owners. Usually the artwork was confiscated by Germans during World War II, not WWI, but Édouard's descendants recently hired him to find this very painting. Liv is not about to part with it; David bought it on their honeymoon because the portrait reminded him of Liv. In love, Liv and Paul soon find themselves on opposite sides of a legal battle.

While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes it impossible not to care about her heroines.

Pub Date: Aug. 20, 2013

ISBN: 978-0-670-02661-6

Page Count: 384

Publisher: Pamela Dorman/Viking

Review Posted Online: July 17, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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YOU HAD ME AT WOLF

Like a popcorn action flick: fun but lacking in substance.

Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).

Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.

Like a popcorn action flick: fun but lacking in substance.

Pub Date: Feb. 25, 2020

ISBN: 978-1-4926-9775-6

Page Count: 384

Publisher: Sourcebooks Casablanca

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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