A remarkably uninformative informational book.

A SUPER STICKY MISTAKE

THE STORY OF HOW HARRY COOVER ACCIDENTALLY DISCOVERED SUPER GLUE!

Like many inventions, it seems, super glue came about by accident.

Unfortunately, readers are likely to be left with more questions than answers after reading this disappointing biography of the miracle goo’s inventor. Harry Coover invented the stuff, but his surname is inexplicably withheld until the end of the narrative. One irrelevant fact revealed from the beginning was his penchant for saying “yaba daba,” which is irritatingly repeated throughout the text. His favorite subject was chemistry, but readers don’t learn what drew him to it. During World War II, Coover “was asked to develop a plastic [that] needed to be strong, solid and transparent.” Why he was asked to do this, for what purpose, and by whom is not revealed. Coover and his team accidentally created a mixture called cyanoacrylate, which is now popularly known as super glue. After years in development, it was officially put on the market, and his adhesive found many uses. Veterinarians used it to mend bones; battlefield medics used it to stop blood loss; and detectives used it to collect fingerprints—though how is not explained. Engineers supposedly used it to fix a space shuttle, but how and which one are not revealed. Complementing the scant information are equally unenlightening cartoon illustrations depicting the White scientist in action with colleagues, some of whom are people of color. There are no source notes or bibliography.

A remarkably uninformative informational book. (timeline) (Picture book/biography. 4-8)

Pub Date: Sept. 1, 2020

ISBN: 978-1-84886-647-8

Page Count: 32

Publisher: Maverick Publishing

Review Posted Online: June 29, 2020

Kirkus Reviews Issue: July 15, 2020

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Bruce Goldstone’s Awesome Autumn (2012) is still the gold standard.

HELLO AUTUMN!

Rotner follows Hello Spring (2017) with this salute to the fall season.

Name a change seen in northern climes in fall, and Rotner likely covers it here, from plants, trees, and animals to the food we harvest: seeds are spread, the days grow shorter and cooler, the leaves change and fall (and are raked up and jumped in), some animals migrate, and many families celebrate Halloween and Thanksgiving. As in the previous book, the photographs (presented in a variety of sizes and layouts, all clean) are the stars here, displaying both the myriad changes of the season and a multicultural array of children enjoying the outdoors in fall. These are set against white backgrounds that make the reddish-orange print pop. The text itself uses short sentences and some solid vocabulary (though “deep sleep” is used instead of “hibernate”) to teach readers the markers of autumn, though in the quest for simplicity, Rotner sacrifices some truth. In several cases, the addition of just a few words would have made the following oversimplified statements reflect reality: “Birds grow more feathers”; “Cranberries float and turn red.” Also, Rotner includes the statement “Bees store extra honey in their hives” on a page about animals going into deep sleep, implying that honeybees hibernate, which is false.

Bruce Goldstone’s Awesome Autumn (2012) is still the gold standard. (Informational picture book. 4-7)

Pub Date: Sept. 5, 2017

ISBN: 978-0-8234-3869-3

Page Count: 32

Publisher: Holiday House

Review Posted Online: June 26, 2017

Kirkus Reviews Issue: July 15, 2017

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A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...

BEFORE SHE WAS HARRIET

A memorable, lyrical reverse-chronological walk through the life of an American icon.

In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.

A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)

Pub Date: Nov. 7, 2017

ISBN: 978-0-8234-2047-6

Page Count: 32

Publisher: Holiday House

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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