Those wishing to share the natural world with kids should begin with Ellen Stoll Walsh and then move on to works by Nancy...
Mr. Tate’s class disappoints their fans with this outing to Rocky Ridge Mountain and a look at the ways people use rocks.
Ranger Pedra meets the students and introduces them to the notion that rocks have stories to tell. The class counts what they “hear” from a boulder: one sculptor, two cement trucks, three beetles, four oceanside mounds of drying salt, five baby turtles in the sand, six stalactites dripping water, seven gems, a sidewalk comprising eight pieces of slate, nine bricks and 10 panes of glass. Ranger Pedra goes on to mention the fact that rocks help date the world, and Mr. Tate asks for other ways rocks are used in everyday life. Snow’s digital collages are well-suited to the subject matter, though the people seem more wooden and obviously digital than in previous entries. Overall, the team of Formento and Snow has not been able to capture the same winning combination of education and story as they did with their first, This Tree Counts! (2010). This latest has the same ambiguous-audience problem that plagued These Seas Count! (2013), the counting pages dumbing material down for the youngest listeners (failing to even introduce geology vocabulary; stalactites are called “cave spears”) while the backmatter presents paragraphs of information for a significantly older audience. An uneven flow may also cause readers to lose interest midway.
Those wishing to share the natural world with kids should begin with Ellen Stoll Walsh and then move on to works by Nancy Elizabeth Wallace. (Picture book. 4-7)Pub Date: March 1, 2014
ISBN: 978-0-8075-7870-4
Page Count: 32
Publisher: Whitman
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...
Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.
Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)Pub Date: Sept. 3, 2013
ISBN: 978-1-4197-0845-9
Page Count: 32
Publisher: Abrams
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This pleasant look at gardening in a city setting reflects a growing trend.
Several inner-city children work together to plant seeds and cultivate their own gardens, transforming their little “anywhere farms” into a lush, green community garden covering a vacant city lot.
A pink-cheeked little girl in overalls receives a single seed from a helpful tan-skinned neighbor on the title page, and she then inspires a flurry of gardening in her neighborhood with children and adults of different ethnicities joining in, including a white boy who uses a wheelchair. The bouncy, rhyming text conveys the basic requirements of growing plants from seeds as well as suggesting a wide variety of unusual containers for growing plants. Several leading questions about the plant growth cycle are interspersed within the story, set in large type on full pages that show a seed gradually sprouting and growing into a huge sunflower on the final, wordless page. The joyful text makes growing flowers and vegetables seem easy, showing plants spilling out of alternative containers as well as more traditional raised beds and the concluding, large garden plot. The text focuses on the titular concept of an “anywhere farm,” without differentiating between farms and gardens, but this conceit is part of the amusing, rollicking tone. Detailed, soft-focus illustrations in mixed media use an autumnal palette of muted green, peach, and tan that don’t quite match the buoyant flavor of the cheerful text.
This pleasant look at gardening in a city setting reflects a growing trend. (Picture book. 4-7)Pub Date: March 14, 2017
ISBN: 978-0-7636-7499-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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