The fantasy/Regency/history mashup readers didn’t even know they wanted.
Following the events of The Dark Days Club (2016), Lady Helen is back, still grappling with propriety and power.
Amid the seasonal intrigue in Brighton, Lady Helen Wrexhall has begun her Reclaimer training in earnest, supported by a motley crew: Lady Margaret and her brother (who have an unexpected past); Delia Cransdon, not quite ruined by a failed elopement; stalwart servants Darby and Mr. Quinn (a Pacific Islander, the only person of color in a sea of Regency white); and of course the enigmatic and entirely too attractive Lord Carlston, who may be slipping into madness from his repeated encounters with the terrifying Deceivers who walk among and feed off humankind. Goodman delicately balances multiple strands, tying together a slow but steady plot that moves inexorably to an action-packed climax, with a love triangle that is thematically perfect: Selburn celebrates and cherishes Helen, while Carlston pushes her. In love as in her Reclaimer powers, Helen must determine her willingness to break the rules and be her own woman, making mistakes along the way and pushing back against those, both human and Deceiver, who seek to control her. It all plays out against an impeccably researched and detailed Regency setting, and if too much time is spent in Helen’s head—well, she has a great deal to understand, and it’s not surprising if it’s taking her time to find her way through.
The fantasy/Regency/history mashup readers didn’t even know they wanted. (Historical fantasy. 13 & up)Pub Date: Jan. 31, 2017
ISBN: 978-0-670-78548-3
Page Count: 496
Publisher: Viking
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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