A charming, heartfelt homage to the makers, past and present, who have defined lives and communities across the world.
Essays in celebration of artisans.
At first glance, the worlds of fashion and fishing may appear to be disparate topics, but using poetic language, childhood experiences, and knowledge of cultural history, Deming captivatingly weaves together these communities. Inspired by a 2016 exhibit at the Metropolitan Museum of Art featuring Yves Saint Laurent’s “sardine dress,” the author set out to learn more about the artisans who have made an impact on her life. Among them are her maternal ancestors, who ran a couture dressmaking business “in Manhattan from the Gilded Age to the Great Depression,” and the herring fishermen on Grand Manan Island in New Brunswick, Canada, where she spent her childhood summers. Deming laments “the world’s dismissal of makers in favor of manufacturers,” which has “driven such small-scale artistry into obsolescence.” In a fascinating journey, she takes us around the world, from New Brunswick to New York to Paris and beyond, chasing leads and sifting through archives and sharing her family’s history and her own quest for continuity and belonging. Deming lovingly describes her grandmother’s skills cutting fabric and sewing together an elegant dress without a pattern as well as her remarkable ability to give new life to the author’s boring, secondhand prom dress. She also expresses the same childhood admiration and excitement in her descriptions of watching the fishermen on the island pull their bounties from the sea. “How much human life depended on the sea and the people’s ability to make vessels and nets and ropes and sails and salt, and to read water and sky and stars. Their ability to survive unimaginable hardship.” A running theme is the detachment between mother and daughter that has plagued Deming’s family for at least two generations, ultimately leading to her grandmother’s being buried in an unmarked grave and listed as having no heirs. At times, the details repeat across the essays, but this takes little away from the book’s overall high quality.
A charming, heartfelt homage to the makers, past and present, who have defined lives and communities across the world.Pub Date: Aug. 24, 2021
ISBN: 978-1-64009-482-6
Page Count: 256
Publisher: Counterpoint
Review Posted Online: June 21, 2021
Kirkus Reviews Issue: July 15, 2021
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A clearly delineated guide to finally eradicate poverty in America.
A thoughtful program for eradicating poverty from the Pulitzer Prize–winning author of Evicted.
“America’s poverty is not for lack of resources,” writes Desmond. “We lack something else.” That something else is compassion, in part, but it’s also the lack of a social system that insists that everyone pull their weight—and that includes the corporations and wealthy individuals who, the IRS estimates, get away without paying upward of $1 trillion per year. Desmond, who grew up in modest circumstances and suffered poverty in young adulthood, points to the deleterious effects of being poor—among countless others, the precarity of health care and housing (with no meaningful controls on rent), lack of transportation, the constant threat of losing one’s job due to illness, and the need to care for dependent children. It does not help, Desmond adds, that so few working people are represented by unions or that Black Americans, even those who have followed the “three rules” (graduate from high school, get a full-time job, wait until marriage to have children), are far likelier to be poor than their White compatriots. Furthermore, so many full-time jobs are being recast as contracted, fire-at-will gigs, “not a break from the norm as much as an extension of it, a continuation of corporations finding new ways to limit their obligations to workers.” By Desmond’s reckoning, besides amending these conditions, it would not take a miracle to eliminate poverty: about $177 billion, which would help end hunger and homelessness and “make immense headway in driving down the many agonizing correlates of poverty, like violence, sickness, and despair.” These are matters requiring systemic reform, which will in turn require Americans to elect officials who will enact that reform. And all of us, the author urges, must become “poverty abolitionists…refusing to live as unwitting enemies of the poor.” Fortune 500 CEOs won’t like Desmond’s message for rewriting the social contract—which is precisely the point.
A clearly delineated guide to finally eradicate poverty in America.Pub Date: March 21, 2023
ISBN: 9780593239919
Page Count: 288
Publisher: Crown
Review Posted Online: Nov. 30, 2022
Kirkus Reviews Issue: Jan. 1, 2023
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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