by Alison Jackson ; illustrated by Doris Barrette ‧ RELEASE DATE: March 18, 2014
Children who know the nursery rhymes will enjoy seeing them in a new context, and children who do not can enjoy the...
A follow-up to If the Shoe Fits (illustrated by Karla Firehammer, 2001) finds the old woman—not so old but cheery and buxom—and her many children solving a few dilemmas for other nursery rhyme denizens.
The footwear that is their home is quite a fancy shoe, with a lamp affixed to the end of its curled tip. The opening spread sets up the entire story with its panoramic view of shoe, tree with “cradle and all,” fields, town, castle and hill with well atop. The wind rocks the cradle so wildly that the wee tot is tumbled out onto the shoe, to be gently caught by the children, who try right away to put baby and cradle back. The tree from which it fell is now festooned with mittens, and the children soon find the desolate, mittenless kittens. As they go along, they find Mary’s lamb, Bo Peep’s crook, Jack’s candlestick, and Jack and Jill’s pail (among other items) and eventually restore them to their rightful places. It is all told in verse rhymed with grace—verve, even—and illustrated with soft, ballooning figures. The many children of the shoe have round heads and button features, and each is clad in the garb of various and sundry nations and ethnicities. Perspectives swoop and change with the rhythm. There is a moral about “examin[ing] the cost / Of constantly grasping for things that are lost,” but it doesn’t much get in the way.
Children who know the nursery rhymes will enjoy seeing them in a new context, and children who do not can enjoy the rollicking action anyway. (Picture book. 4-7)Pub Date: March 18, 2014
ISBN: 978-0-8050-8688-1
Page Count: 32
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Reese Witherspoon ; illustrated by Xindi Yan ‧ RELEASE DATE: Oct. 4, 2022
An entertaining, if light, addition to the growing shelf of celebrity-authored picture books.
Actor and author Witherspoon makes her picture-book debut.
Betty, a light-skinned, bespectacled child with blond pigtails, was born busy. Constantly in motion, Betty builds big block towers, cartwheels around the house (underfoot, of course), and plays with the family’s “fantabulous” dog, Frank, who is stinky and dirty. That leads to a big, busy, bright idea that, predictably, caroms toward calamity yet drags along enough hilarity to be entertaining. With a little help from best friend Mae (light-skinned with dark hair), the catastrophe turns into a lucrative dog-washing business. Busy Betty is once again ready to rush off to the next big thing. Yan uses vivid, pastel colors for a spread of a group of diverse kids bringing their dogs to be washed, helping out, and having fun, while the grown-ups are muted and relegated to the background. Extreme angles in several of the illustrations effectively convey a sense of perpetual motion and heighten the story’s tension, drawing readers in. An especially effective, glitter-strewn spread portrays Frank looming large and seemingly running off the page while Betty looks on, stricken at the ensuing mess. Though it’s a familiar and easily resolved story, Witherspoon’s rollicking text never holds back, replete with amusing phrases such as “sweet cinnamon biscuits,” “bouncing biscuits,” and “busted biscuits.” As Betty says, “Being busy is a great way to be.” Young readers are sure to agree. (This book was reviewed digitally.)
An entertaining, if light, addition to the growing shelf of celebrity-authored picture books. (Picture book. 4-7)Pub Date: Oct. 4, 2022
ISBN: 978-0-593-46588-2
Page Count: 32
Publisher: Flamingo Books
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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PERSPECTIVES
SEEN & HEARD
by Hannah Carmona Dias ; illustrated by Dolly Georgieva-Gode ‧ RELEASE DATE: Sept. 14, 2018
Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses...
This tan-skinned, freckle-faced narrator extols her own virtues while describing the challenges of being of mixed race.
Protagonist Lilly appears on the cover, and her voluminous curly, twirly hair fills the image. Throughout the rhyming narrative, accompanied by cartoonish digital illustrations, Lilly brags on her dark skin (that isn’t very), “frizzy, wild” hair, eyebrows, intellect, and more. Her five friends present black, Asian, white (one blonde, one redheaded), and brown (this last uses a wheelchair). This array smacks of tokenism, since the protagonist focuses only on self-promotion, leaving no room for the friends’ character development. Lilly describes how hurtful racial microaggressions can be by recalling questions others ask her like “What are you?” She remains resilient and says that even though her skin and hair make her different, “the way that I look / Is not all I’m about.” But she spends so much time talking about her appearance that this may be hard for readers to believe. The rhyming verse that conveys her self-celebration is often clumsy and forced, resulting in a poorly written, plotless story for which the internal illustrations fall far short of the quality of the cover image.
Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses the mark on both counts. (Picture book. 4-6)Pub Date: Sept. 14, 2018
ISBN: 978-1-63233-170-0
Page Count: 32
Publisher: Eifrig
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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