Dear indeed for preteens facing big changes and adults with fond memories.
Over the years, a boy’s letters to his younger sister reveal his changing impressions of her and their relationship in this epistolary graphic novel.
For the unnamed 8-year-old boy, life was less complicated before his baby sister was born. Now his parents (aka “the wardens”) ask him to write cards and letters, sometimes with accompanying drawings, to his new sibling. Beginning each note with “Dear Sister,” the boy recounts his life with honesty, expressing his frustration with her incessant crying, having to read her the same book for “the 763rd time,” and his lack of privacy. Mixed in are several apology letters that reveal that the wardens fail to understand his perspective. Only his friend Joe offers diversion. Signing his initial letters “From, Brother,” he informs his sister that he’s holding out on the love part until he’s made up his mind. During a 10-year-period, however, his letters gradually reflect his growing affection for her. When Joe moves away, it’s the sister, who’s always adored her big brother, who understands his pain. And as their friendship and affection grow, perhaps the brother enjoys connecting with—and yes, reading to—his sister after all. While books on sibling rivalry abound, this volume brings freshness to the topic with McGhee’s gentle humor and poignant scenarios (though adults may respond more strongly than kids). Bluhm heightens both with childlike sketches for the brother’s drawings and emotive illustrations for the storyline.
Dear indeed for preteens facing big changes and adults with fond memories. (Graphic fiction. 10-13)Pub Date: Oct. 2, 2018
ISBN: 978-1-4814-5142-0
Page Count: 192
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
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BOOK TO SCREEN
Compulsively readable; morally uncomfortable.
Six New Jersey 12-year-olds separated by decades race to ensure the “good guys” win World War II in this middle-grade work by the author of The Sisterhood of the Traveling Pants and her brother, a children's author and journalist.
It all starts with a ham radio that Alice, Lawrence, and Artie fool around with in 1944 and Henry, Frances, and Lukas find in 2023. It’s late April, and the 1944 kids worry about loved ones in combat, while the 2023 kids study the war in school. When, impossibly, the radio allows the kids to communicate across time, it doesn’t take long before they share information that changes history. Can the two sets of kids work across a 79-year divide to prevent the U.S.A. from becoming the Nazi-controlled dystopia of Westfallen? This propulsive thriller includes well-paced cuts between times that keep the pages turning. Like most people in their small New Jersey town, Alice, Artie, and Frances are white. In 1944, Lawrence, who’s Black, endures bigotry; in the U.S.A. of 2023, Henry’s biracial (white and Black) identity and Lukas’ Jewish one are unremarkable, but in Westfallen, Henry’s a “mischling” doing “work-learning,” and Lukas is a menial laborer. Alice’s and Henry’s dual first-person narration zooms in on the adventure, but readers who pull back may find themselves deeply uneasy with the summary consideration paid to the real-life fates of European Jews and disabled people. The cliffhanger ending will have them hoping for more thoughtful treatment in sequels to come.
Compulsively readable; morally uncomfortable. (Science fiction/thriller. 10-13)Pub Date: Sept. 17, 2024
ISBN: 9781665950817
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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