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ONE TWO THAT'S MY SHOE

Count on repeated readings of this fun and frisky tale.

In a companion to Apple Pie ABC (2011), Murray reworks another familiar rhyme into a drama pitched perfectly for preschoolers.

Endpapers hint at the plot and provide an opportunity to identify numbers, colors and story elements. More foreshadowing occurs in the cozy scene of the returning heroine and her beagle opposite the title page; she is reading, appropriately, To Catch a Thief.  Immediately the pace quickens as the dog snatches the child’s shoe and cavorts through the house, garden and gate. The brief, rhymed text (“One… / Two / That’s my shoe!”) is carefully placed to allow viewers time to count the teddy bears, flowers, etc., along the way. Each numeral appears with a matching set of objects in a block anchored to a page corner; the number is spelled out nearby. Warm cream backgrounds showcase the pale turquoise rectangles of the flooring, the brilliant red chair, tulips and shoes and the green patches of grass and tree canopy. The illustrator’s background in textiles is evident in the retro styling and meticulous design. A wash line scene, in which the two figures are silhouetted behind transparent, patterned sheets drying on a line, offers an entertaining visual trick. In a satisfying conclusion, hens chase the dog, setting the stage for a homophonic “Shoo!” and a narrative twist.

Count on repeated readings of this fun and frisky tale.   (Picture book. 18 mos.-5)

Pub Date: June 5, 2012

ISBN: 978-1-4231-4329-1

Page Count: 32

Publisher: Disney-Hyperion

Review Posted Online: March 13, 2012

Kirkus Reviews Issue: April 1, 2012

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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