THE GOLDILOCKS VARIATIONS

The frequently distributed buns aren’t all that’s delicious in this exhilarating suite of variations on a classic.

A familiar old tale is taken for a terrific spin with more bears, three pigs, assorted woodland animals, space aliens, additional young cast members (including one in a red hood) and lots and lots of sticky buns.

Being a “cheeky girl,” Goldilocks thinks nothing of following up her destructive visit to the Three Bears’ cottage by messing around in the seemingly similar “cottage”—which expands to a tall apartment house with the pull of a tab—of the 33 Bears. Then, in 2076, inviting herself into the trood (spaceship) of the Three Bliim for a taste of spootz (“porridge, sort of”) and a nap in the smallest woodootog (bed). In further outings, Goldilocks encounters dishes and other furnishings with minds of their own, plays lead in a theatrical romp presented in an inset booklet containing a script and a pop-up stage, and at last finds a number of unexpected houseguests sleeping in her bed. The very small, very finely drawn figures and households insist on (and reward) close looks, and they are enhanced by an array of surprises revealed beneath flaps or through die-cut windows.

The frequently distributed buns aren’t all that’s delicious in this exhilarating suite of variations on a classic. (Pop-up/fractured fairy tale. 5-9)

Pub Date: Oct. 23, 2012

ISBN: 978-0-7636-6268-4

Page Count: 40

Publisher: Candlewick

Review Posted Online: Oct. 9, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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