by Allan G. Bogue ‧ RELEASE DATE: April 1, 1998
A biography of Turner, whose famous thesis, ``The Significance of the Frontier in American History,'' is known to generations of American history students. Bogue, emeritus professor of history at the University of Wisconsin, Madison, offers a comprehensive study of Turner, who was born in 1862 in Wisconsin farm country and eventually came to influence countless students who were specializing in the then emergent fields of Western and sectional history. According to Bogue, Turner was a rare and innovative scholar, as well as a popular teacher who devoted many of his hours to eager acolytes and students, despite the demands of his own prodigious research. His protÇgÇs remembered him not only as a teacher, but as a companion in the process of discovering history. Turner believed that historians should always strive for broad objective truth even while they were necessarily subject to shaping by their own prejudicial experiences within a specific culture, era, and geography. Bogue argues that Turner, who formed and developed schools of Western history at Wisconsin and Harvard, is comparable only to the great Francis Parkman and Henry Adams as a major eminence in American historiography. Also noted here is the fact that Turner believed the growing concentration of control of natural resources and industry by the government made American political discontent inevitable, compromising and tampering with the celebrated tradition of American individualism that had long been especially characteristic of the West. Later, Turner's many family and social obligations, professional pressures, and poor health delayed the writing of his final ``big book.'' Bogue reveals that the historians who were his heirs believed that his frontier theory was overshadowed by other factors that were not given sufficient attention. Nevertheless, Turner's legacy lives on. A scholarly achievement, thick with details. (16 b&w photos, not seen)
Pub Date: April 1, 1998
ISBN: 0-8061-3039-3
Page Count: 576
Publisher: Univ. of Oklahoma
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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by Joan Didion ‧ RELEASE DATE: Oct. 19, 2005
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
Awards & Accolades
National Book Critics Circle Finalist
Pulitzer Prize Finalist
National Book Award Winner
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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SEEN & HEARD
by Joy Harjo ‧ RELEASE DATE: July 9, 2012
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
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