A fruitful discussion of authorship.
A collection of question-and-answer sessions that offer in-depth insights into the writing craft.
Mendenhall (The Southern Philosopher, 2017), the editor of the Southern Literary Review, has long been drawn to interviews with creatives and artists—an interest that he’s fueled over the years by perusing the hallowed archives of the Paris Review. As an associate dean at the Jones School of Law at Faulkner University, it’s perhaps unsurprising that he’s also highly aware of the various ways in which “people respond differently to probing inquiry.” However, one never gets the sense that the 46 writers he interviews in this book are being put on the stand; on the contrary, Mendenhall’s lines of questioning are subtle, and he successfully fulfills his stated intention of letting “the writers do the talking.” This collection will familiarize readers with the approaches, techniques, and concerns of a diverse set of authors in a broad range of genres. Mendenhall’s interviewees include crime-fiction writer D.J. Donaldson, historical-romance novelist F. Diane Pickett, and (twice) poet and essayist Julia Nunnally Duncan, among many others. The Q-and-A’s touch on a spectrum of issues and offer rich and varied discussion as well as powerful sound bites. Memoirist Robert P. Waxler, for instance, offers compelling commentary on the importance of books in a world increasingly dominated by “screen culture”: “Screens invite us to watch, to surf the current that pulls us along. By contrast, books, especially literature…slow us down, offer an opportunity…to become self-reflective.” Historical novelist Steve Wiegenstein speaks of the exhilaration of writing: “It’s the closest I’ll ever get to walking the high wire.” And YA novelist Colleen D. Scott writes of her desire to expose the impact of social segregation: “I fear that lately we are showing the signs that we might forget how important it is to recognize our similarities and cherish our differences.” A foreword by author and Mississippi State University professor Robert West, which ponders the construction and meanings of the words “discover” and “interview,” is mildly interesting, if superfluous. Overall, though, this is a delightfully engaging collection that will educate and inspire other writers.
A fruitful discussion of authorship.Pub Date: Jan. 4, 2019
ISBN: 978-1-73273-832-4
Page Count: 232
Publisher: Red Dirt Press
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Review Program: Kirkus Indie
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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