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THE CLIMBER OF POINTE DU HOC

A traditional war story with believable characters, a strong focus, and a tight plot.

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Saxon’s novella tells the story of a World War II soldier who scales the cliffs at Pointe du Hoc, France.

Caleb Huddleston is a white ranch kid and occasional rock climber from Wyoming who answers the call and enlists in WWII. He joins the U.S. Army Rangers and winds up in the first wave of the Normandy invasion. But before that, he undergoes months of training in England, staying with a family in the Cornish town of Bude. The Bennetts have a daughter, Elizabeth, who’s a student nurse, and it soon becomes clear that she and Caleb are falling in love—a romance that readers follow throughout the book. Meanwhile, Benjamin Cook, a young Black man in Virginia with a natural surgical talent, joins the military, though he suffers the effects of racism. But his skills lead him to become a respected ad hoc medic. Despite the novel’s title, the actual assault of the Pointe du Hoc is only a small part of the story. The tale is dramatically told, however, as when Caleb saves the life of buddy Pedro Ramirez by shooting a German with Caleb’s grandfather’s Spanish-American War sidearm near the top of the cliff. The story continues as the brave troops push on into the French countryside, never knowing where the enemy is and when they might stage a counteroffensive. The audience sees the grit of everyday war, with all the fear and fatigue it entails.

Readers will come to care about these characters, some of whom will not come home; those who do make it through their mission will not escape unscathed, either physically or emotionally. And, of course, Caleb’s and Benjamin’s lives will intersect in a striking way. In a long afterword, the author, a surgeon, explains that he was inspired to write the book when a much older colleague revealed that he had taken part in D-Day, and that “three quarters of [his fellow soldiers] are still on the beach,” so appalling was the death toll. Saxon writes cleanly, if sometimes a little stiffly, as when describing that a character “stated,” rather than simply “said” something, or when relating that a sleepless night was “tolerated.” Still, there’s a classic simplicity to his tale that serves it well, and the story features moments of understated eloquence, as when a character’s brutal death is simply referred to as the “final darkness.” Caleb, as a character, is a recognizable type: a bit of a Boy Scout, bashful around women, and no more cultured than any other stereotypical cowboy. For instance, when Elizabeth tells him that she was named not for the queen, but rather because her mother was a big Jane Austen fan, Caleb wonders to himself why she wasn’t named Jane. The very brief letters that he manages to write her are comically formal; it’s a big breakthrough when he moves from “Dear Miss Bennett” to “Dear Elizabeth.” Overall, Saxon’s debut work feels like a labor of love and respect.

A traditional war story with believable characters, a strong focus, and a tight plot.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: April 1, 2024

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NASH FALLS

Hokey plot, good fun.

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A business executive becomes an unjustly wanted man.

Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.

Hokey plot, good fun.

Pub Date: Nov. 11, 2025

ISBN: 9781538757987

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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