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THE CLIMBER OF POINTE DU HOC

A traditional war story with believable characters, a strong focus, and a tight plot.

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Saxon’s novella tells the story of a World War II soldier who scales the cliffs at Pointe du Hoc, France.

Caleb Huddleston is a white ranch kid and occasional rock climber from Wyoming who answers the call and enlists in WWII. He joins the U.S. Army Rangers and winds up in the first wave of the Normandy invasion. But before that, he undergoes months of training in England, staying with a family in the Cornish town of Bude. The Bennetts have a daughter, Elizabeth, who’s a student nurse, and it soon becomes clear that she and Caleb are falling in love—a romance that readers follow throughout the book. Meanwhile, Benjamin Cook, a young Black man in Virginia with a natural surgical talent, joins the military, though he suffers the effects of racism. But his skills lead him to become a respected ad hoc medic. Despite the novel’s title, the actual assault of the Pointe du Hoc is only a small part of the story. The tale is dramatically told, however, as when Caleb saves the life of buddy Pedro Ramirez by shooting a German with Caleb’s grandfather’s Spanish-American War sidearm near the top of the cliff. The story continues as the brave troops push on into the French countryside, never knowing where the enemy is and when they might stage a counteroffensive. The audience sees the grit of everyday war, with all the fear and fatigue it entails.

Readers will come to care about these characters, some of whom will not come home; those who do make it through their mission will not escape unscathed, either physically or emotionally. And, of course, Caleb’s and Benjamin’s lives will intersect in a striking way. In a long afterword, the author, a surgeon, explains that he was inspired to write the book when a much older colleague revealed that he had taken part in D-Day, and that “three quarters of [his fellow soldiers] are still on the beach,” so appalling was the death toll. Saxon writes cleanly, if sometimes a little stiffly, as when describing that a character “stated,” rather than simply “said” something, or when relating that a sleepless night was “tolerated.” Still, there’s a classic simplicity to his tale that serves it well, and the story features moments of understated eloquence, as when a character’s brutal death is simply referred to as the “final darkness.” Caleb, as a character, is a recognizable type: a bit of a Boy Scout, bashful around women, and no more cultured than any other stereotypical cowboy. For instance, when Elizabeth tells him that she was named not for the queen, but rather because her mother was a big Jane Austen fan, Caleb wonders to himself why she wasn’t named Jane. The very brief letters that he manages to write her are comically formal; it’s a big breakthrough when he moves from “Dear Miss Bennett” to “Dear Elizabeth.” Overall, Saxon’s debut work feels like a labor of love and respect.

A traditional war story with believable characters, a strong focus, and a tight plot.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: April 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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LONG ISLAND

A moving portrait of rueful middle age and the failure to connect.

An acclaimed novelist revisits the central characters of his best-known work.

At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.

A moving portrait of rueful middle age and the failure to connect.

Pub Date: May 7, 2024

ISBN: 9781476785110

Page Count: 304

Publisher: Scribner

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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