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UPROOTED

An unsparing and richly atmospheric international thriller.

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A man and woman flee Istanbul on a desperate trek to freedom in this novel.

As the narrative commences, Kemal Yilmaz, a former agent in Turkey’s Central Intelligence agency who’s enduring a snowstorm in Istanbul, is a worried man. His lover, Nadiye, is missing, presumably entangled in the chaos following the military coup that’s convulsed the country and left a cabal of generals in control. And that group’s ascendancy has made Kemal and all of his ex-colleagues hunted fugitives, ensnared in a deadly Catch-22. They were officially ordered to resign, knowing if they obeyed they could be arrested for treason. If they refused, they could be detained for disobeying the order. Caught in this same bind is Nadiye’s sister, Shirin, who, as the renowned exotic dancer Nejla Ateş, is “a femme fatale no one in Turkey could match.” Former agents like Kemal and Shirin are now “ilgisiz,” irrelevant. To make matters worse, Shirin has been coerced into one more mission: to use her feminine wiles on two Russian military officers in order to learn their plans regarding Turkey. Her recruiter is a man named Hakan Chatli, a menacing political hit man who’s been known to quote Turkish poetry while killing his victims. Though Kemal and Shirin had been mere acquaintances and political opposites, they agree to follow a mad, improvised plan to flee Turkey and head overland all the way east to Sinjiang province in China, where he has family. Shirin is skeptical: They have forged documentation, no help, and Afghanistan is under Soviet rule after an invasion. In addition, Pakistan’s prime minister has just been executed. And there’s the added threat of Hakan personally hunting Shirin down, no matter how far from Turkey she flees.

From these simple elements—a country suffering turmoil; two ex-agents making a run for a new life—Wittenborn crafts a surprisingly powerful story. All of the book’s many characters—particularly Kemal and Shirin—are drawn with minimal brush strokes and a complete lack of sentimentality. At one point, onboard a vessel in the Black Sea, Shirin watches the lights of little villages on shore and is briefly tempted. “I wonder what it’s like to live there,” she muses. “A nice simple life. No complications”—to which Kemal immediately responds: “And, no supermarkets, no phones, no plumbing….We’re creatures of the city.” Their travels are leanly but effectively described, as are the many supporting characters they meet along the way (especially a man named Rustam they encounter in Iran). The author draws out the tension of Shirin’s certainty that Hakan is after her but doesn’t overdo it. Likewise, the unending international conflicts the pair faces, where “every day is a question mark,” are skillfully portrayed—the political and ethnic strife they encounter are described with a knowing economy. The little details of daily existence, the food, the drink, the rhythms, are vividly brought to life, from the wonderfully realized Istanbul in winter to the bazaars and blasted cityscapes of the war-torn countries that Kemal and Shirin must cross in order to reach their destination. And the narrative’s unexpected resolution of its earliest plot question—What happened to Kemal’s lover, Nadiye?—is deftly done.

An unsparing and richly atmospheric international thriller.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Manuscript

Review Posted Online: Feb. 16, 2021

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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