An exuberant celebration of community that leaps off the page.

BIG TUNE

RISE OF THE DANCEHALL PRINCE

A young Black boy finds a way to keep the music and joy alive in his Caribbean American community.

In Shane’s neighborhood, the weekend is a time for music and partying with family and friends. While everyone else dances, he collects cans with plans to turn them into money for his sneaker fund. Shane’s brothers think he’s too shy to dance, but Shane dances and sings when he’s alone in his room. After all, other family members are so much better. As he gets closer to his goal, he is excited and has all the moves. Unfortunately, when the next time for a gathering comes, the music speaker no longer works. Shane immediately decides to sacrifice his savings to ensure that the good times will continue. He is a hero to family and friends, and the revelers show their appreciation by passing the hat to replace his money. Finally, Shane overcomes his shyness and takes to the floor to sing and to dance with his loved ones. This lively, vibrant narrative has an infectious spirit, and Shane is irresistible. Grounded in a tightknit Jamaican American community, the story deftly incorporates visual and textual references to dance styles, food, and other cultural touchstones. The lush collages reinforce the text. Themes of joy, solidarity, and artistic expression are effortlessly woven throughout the words and images. (This book was reviewed digitally.)

An exuberant celebration of community that leaps off the page. (author’s note) (Picture book. 3-6)

Pub Date: March 28, 2023

ISBN: 9780374389949

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 14, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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The snappy text will get toes tapping, but the information it carries is limited.

LET'S DANCE!

Dancing is one of the most universal elements of cultures the world over.

In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.

The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)

Pub Date: March 3, 2020

ISBN: 978-1-63592-142-7

Page Count: 32

Publisher: Boyds Mills

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A lively celebration of music and expressive dance.

I GOT THE RHYTHM

The beat is all around her when a girl takes a walk in the park with her mother.

On a lovely summer day, a young African-American girl in a bright pink sundress and matching sneakers sees, smells, sings, claps and snaps her fingers to an internal rhythm. As a boom box plays its song and a drummer taps his beat, neighborhood children join her in an energetic, pulsating dance culminating in a rousing musical parade. Schofield-Morrison’s brief text has a shout-it-out element as each spread resounds with a two-word phrase: “I shook a rhythm with my hips. /SHAKE SHAKE”; “I tapped the rhythm with my toes. / TIP TAP.” Morrison’s full-bleed, textured oil paintings capture the joy of a mother and daughter in an urban park surrounded by musicians, food vendors and many exuberant children. Read this aloud with music playing loudly—not in the background. Morrison is a Coretta Scott King/New Talent Award winner, and this is a fine debut for his wife in their first collaboration.

A lively celebration of music and expressive dance. (Picture book. 3-6)

Pub Date: June 3, 2014

ISBN: 978-1-61963-178-6

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: April 16, 2014

Kirkus Reviews Issue: May 1, 2014

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