by Allison Ofanansky ; photographed by Eliyahu Alpern ‧ RELEASE DATE: March 1, 2013
An appealing photo essay follows Israeli children as they work in their school garden and kitchen.
Color photographs, in close-up detail, capture a teacher and her middle-grade students as they plant wheat in the fall and watch it grow with the help of winter rains. In the spring, the grains are harvested, and the stalks are dried in the sun. Threshing, winnowing and grinding follow. The class brings the gleanings to a petting zoo and feeds them to some goats. They then use their wheat, along with cheese from goats’ milk, to prepare a cheesecake and decorate it with strawberries from the school garden. As explained in an afterword, the Jewish holiday of Shavuot, “weeks” in Hebrew, is celebrated in late May or early June as the time that Jews were given the Torah. The biblical story of Ruth (who gleaned wheat) is read at this time. And why a cheesecake? Shavuot is also a celebration of both the grain harvest and fruit harvest. In addition, mother goats have more milk in the spring, which makes eating dairy products a holiday tradition. Children who participate in community and/or school gardening projects will find kindred spirits and useful information here. Recipe included. A holiday-cum-gardening-cum-food adventure in one neat package. (afterword) (Informational picture book. 4-8)
Pub Date: March 1, 2013
ISBN: 978-0-7613-8126-6
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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by Traci Sorell ; illustrated by Madelyn Goodnight ‧ RELEASE DATE: Feb. 8, 2022
A heartwarming picture book about the roles of courage, culture, and community in the journey of personal healing.
In this contemporary story, an Indigenous tradition inspires hope in a young girl.
Powwow Day, a Native American social gathering, arrives, but River is still recovering from an unnamed illness and feels too weak to dance. Dressed in her jingle dress and matching moccasins, she longs to join her family and friends in the Grand Entry procession. She hears the drums—“BAM. BAM. BAM. BAM”—and watches the elders enter the circle with flags and feathers. The fancy dancers “twirl and ribbons whirl,” while the “grass dancers sway and weave themselves around the circle,” but River can’t “feel the drum’s heartbeat,” and her “feet stay still.” The emcee calls for the jingle dress dancers to enter the arena. Although River needs the ceremonial healing dance, she can’t do it. Thankfully, River’s friend says she will dance for her. The rows of shiny cones on the dresses make music as the jingle dancers move: “clink, clink, clink.” The girls “dance for the Creator, the ancestors, their families, and everyone’s health.” Watching her sister, cousins, and friend dance, River’s heart begins to open and conviction enters her soul. She finally feels the drumbeat fully, but is it her time to dance? Goodnight’s vibrant, energetic digital illustrations capture the beauty and intricacy of powwow regalia as well as the unique atmosphere of a powwow gathering. Together, the artwork and text sensitively portray and celebrate a powerful ritual that upholds the culture, healing traditions, and creative spirit of Native American communities. No specific tribe is mentioned in the story, though the backmatter mentions the Ponca and Omaha tribes.
A heartwarming picture book about the roles of courage, culture, and community in the journey of personal healing. (notes, author's notes, bibliography) (Picture book. 4-8)Pub Date: Feb. 8, 2022
ISBN: 978-1-58089-948-2
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Dec. 2, 2021
Kirkus Reviews Issue: Dec. 15, 2021
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PERSPECTIVES
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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