A festive holiday celebration.
Jews in Morocco celebrate the end of Passover.
Miriam and her family live in Fès in Morocco, and as Passover concludes, she and her mother walk to the house of a Muslim family for flour. Miriam meets Jasmine, a girl her own age, and watches as her mother gifts Jasmine’s mother with a jar of fig jam in exchange for a sack of flour before inviting the family to join them for the Mimouna celebration. They hurry home, where Miriam helps set a table filled with food and symbols of good fortune, such as five gold coins. The highlights of the table are the moufleta that her mother fries. The paper-thin pancakes are spread with butter and jam and are a special treat at the end of a week of eating unleavened matzo. It is also the custom for families to go from house to house partaking of festive dinners and sharing in blessings for the coming year, and Jasmine joins in. Jasmine then invites Miriam to her upcoming Ramadan party, but Miriam declines. Her family is planning to immigrate to Israel, as indeed they do. The Mimouna holiday is relatively recent, about 250 years old, and its origins are unclear. There are currently celebrations in Israel and in New York. Families unfamiliar with Mimouna will welcome the discovery. Those whose cultures involve frying bread and visiting neighbors on holidays will also find connections here. The colorful illustrations are adorned with decorative patterns, and, yum, a recipe is included. (This book was reviewed digitally with 10.6-by-16.6-inch double-page spreads viewed at 58.6% of actual size.)
A festive holiday celebration. (afterword) (Picture book. 4-8)Pub Date: Nov. 3, 2020
ISBN: 978-1-77306-397-3
Page Count: 36
Publisher: Groundwood
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 1, 2020
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
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