by Allison Sarnoff Soffer ; illustrated by Bob McMahon ‧ RELEASE DATE: Aug. 1, 2014
This is a simple story and on the face of it a slight one, but underneath, it’s an extremely moving tale.
This book will make readers hungry for applesauce.
There’s a theory that the old Disney live-action movies were popular because the kids acted like adults and the adults acted like kids. In this book, Katy has no choice but to act like an adult. Her aunt is in labor, and her mother can’t be home until after the baby is born. It’s the Jewish New Year, and Katy was expecting to make applesauce with her mom—following the family tradition—but all her dad can do is stare helplessly at the ingredients lined up on the counter. Katy starts typing on the computer until a recipe pops up. Younger readers may find it very satisfying when her father asks, “What’s next?” This book is full of such small, satisfying moments. The highlight may be a sequence in which, one by one, Katy’s friends, her rabbi and even the neighborhood crossing guard bring her apples. They know her mother is away. The characters in McMahon’s illustrations, painted in warm colors, all look like people readers might want to know. In the last scene, Katy reaches into her pocket and pulls out a jar of applesauce for the new baby. It’s just what an adult would do.
This is a simple story and on the face of it a slight one, but underneath, it’s an extremely moving tale. (Picture book. 2-7)Pub Date: Aug. 1, 2014
ISBN: 978-1-4677-1203-3
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: May 27, 2014
Kirkus Reviews Issue: June 15, 2014
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by Alice Schertle ; illustrated by Jill McElmurry ‧ RELEASE DATE: Sept. 23, 2014
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
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IndieBound Bestseller
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by Alice Schertle ; illustrated by Jill McElmurry
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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More In The Series
by Riel Nason ; illustrated by Byron Eggenschwiler
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