by Allison Sweet Grant & Adam Grant ; illustrated by Merrilee Liddiard ‧ RELEASE DATE: Sept. 8, 2020
A polished, clever take on the falling-leaf narrative.
A leaf fearful of falling experiments with safety ideas.
Leif, an oak leaf, knows leaves fall in the fall, as the other leaves tell him over and over. But still, he is afraid he’ll be hurt when it happens. An understanding laurel leaf friend that seems also to be growing on Leif’s tree commiserates, and the two of them try out ideas to make the fall easier or even prevent it altogether. They make a net with twigs and a kite out of moss, among other ideas, but nothing works, and Leif tosses each attempt away, “feel[ing] as if he has failed.” He hasn’t of course, as the ending-with-a-twist reveals. The narrative is written in present tense—a clever choice to underscore the immediacy of Leif’s anxiety—and is crisp and taut, moving the plot along just enough to build a satisfying bit of tension. The illustrations, which leave plenty of white space to accentuate the idea of the space Leif will be falling through, are done in a palette of soft greens and browns and use basic leaf shapes with simple facial expressions drawn on them. In a few of the illustrations, an image of real moss is photo-collaged in, and not to advantage, since the too-realistic look of the sharp moss photo clashes with the soft simplicity of the rest. (This book was reviewed digitally with 11-by-16-inch double-page spreads viewed at 23% of actual size.)
A polished, clever take on the falling-leaf narrative. (Picture book. 3-8)Pub Date: Sept. 8, 2020
ISBN: 978-1-984815-49-1
Page Count: 32
Publisher: Dial Books
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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by Adam Grant & Allison Sweet Grant ; illustrated by Diana Schoenbrun
by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by B.J. Novak ‧ RELEASE DATE: Sept. 30, 2014
A riotously fresh take on breaking the fourth wall.
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This book may not have pictures, but it’s sure to inspire lots of conversations—and laughs.
Television writer, actor and comedian Novak delivers a rare find, indeed: a very good celebrity picture book. It doesn’t even seem fair to call it such, since it has nothing to do with his Emmy Award–winning writing for The Office or the fame his broader career has afforded him. The jacket flap even eschews a glossy photo, instead saying “B.J. has brown hair and blue eyes,” in order to keep with the book’s central conceit. What this book does have is text, and it’s presented through artful typography that visually conveys its changing tone to guide oral readings. Furthermore, the text implies (or rather, demands) a shared reading transaction, in which an adult is compelled to read the text aloud, no matter how “COMPLETELY RIDICULOUS” it is. Employing direct address, it pleads with the implied child listener to allow him or her to stop reading. Nonsense words, silly words to be sung and even a smattering of potty talk for good measure all coalesce in riotous read-aloud fare. Although the closing pages beg the implied child reader to “please please please please / please / choose a book with pictures” for subsequent reading, it’s likely that this request will be ignored.
A riotously fresh take on breaking the fourth wall. (. (Picture book. 3-8)Pub Date: Sept. 30, 2014
ISBN: 978-0-8037-4171-3
Page Count: 48
Publisher: Dial Books
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
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