Amiable gal stuff, aiming for, but not quite reaching, a higher plateau.
A predictable debut about a 30-year-old go-getter whose life is put on hold when she’s diagnosed with breast cancer.
Natalie Miller is senior aide to a Hillary Clinton–like New York senator—the job is tough, demanding and a bit underhanded. And so is Natalie. But the identity she’s carefully cultivated is no match for the big “C,” especially when the two things she depends on—the power of her job and her unchallenging boyfriend—disappear after her diagnosis. Although Natalie will admit she and Ned were hardly inseparable, no one wants to be dumped, especially at such a tumultuous time. And though Natalie would like to tough it out, Senator Dupris insists she take some time off during chemotherapy (of course, in her absence, Natalie loses her swank private office). Adrift without her professional position, Natalie decides to uncover why her past romances have failed. Disappointingly, the sections devoted to tracking old boyfriends are in diary form. The feedback from the beaus is the same: Natalie has always had priorities other than romance. Now afraid of dying, and that her chance for love may be over, she longs for both the one who got away (burgeoning rock-star Jake) and the one who may be Mr. Right, her second-best friend’s ex, Zach. In the midst of the expected boyfriend trouble and work trouble (she is being usurped by an underling) is Natalie’s battle with cancer, her chemotherapy, the loss of her hair and then both her breasts, the reaction of her friends and finally Natalie’s own growing ability to ask for help. The writing is chatty, often funny, but the obviousness of the plot—by the end, Natalie may have found true love—detracts from any poignancy derived from Natalie’s battle with illness.
Amiable gal stuff, aiming for, but not quite reaching, a higher plateau.Pub Date: May 8, 2007
ISBN: 0-06-116141-1
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2007
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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