REACHED

From the Matched Trilogy series , Vol. 3

While staying true to the science fiction and romance at the core of Matched (2010) and Crossed (2011), the trilogy’s breathless finale blossoms into a medical thriller too, adding breadth and resonance.

Cassia, Ky and Xander are far apart. Ky unenthusiastically flies air ships for the Rising, an enigmatic organization poised to overturn the Society. The Rising sends Cassia to work from the inside, so she sorts data for the Society, awaits the Rising’s instruction and trades poetry underground. Xander’s a Society medical Official who uses his position to subtly immunize infants against the forced-forgetfulness tablets that the Society regularly gives adults. The three take turns narrating in first-person present, revealing tantalizing information gaps: What does one character wonder while another knows? What do readers not know yet? A plague breaks out, mutates and becomes a pandemic—which aspects were intentional, and on whose part? Poems (Tennyson, Dickinson, Thomas) and a painting (Sargent) figure heavily and beautifully on both symbolic and literal levels. Is the Rising trustworthy? Can a living human also be an archetype? Condie’s prose is immediate and unadorned, with sudden pings of lush lyricism. Her protagonists are no run-of-the-mill romance triangle, her forms of activism (art, medicine) rich. Each character is differently strong and differently wounded. With reveals seeming to arrive on almost every page, prepare to stay up all night. (author’s note referencing poems and paintings) (Science fiction/romance. 13 & up)

 

Pub Date: Nov. 13, 2012

ISBN: 978-0-525-42366-9

Page Count: 528

Publisher: Dutton

Review Posted Online: Oct. 3, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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Black is building a complex mythology; now is a great time to tune in.

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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A rush of emotion and suspense.

THE FIRST TO DIE AT THE END

Crowds gather across the United States for the launch of Death-Cast, a company that promises to change the world by predicting the deaths of everyone who subscribes in this prequel to They Both Die at the End (2017).

Orion Pagan, an aspiring author with a heart condition, hopes his phone won’t ring at midnight, but he knows Death-Cast’s call is coming soon. Unlike Orion, Valentino Prince, a model on the verge of his national debut, has no reason to anticipate Death-Cast’s call and isn’t sure if he believes the company’s claims. By coincidence or fate, their lives collide at a party in Times Square, and a single, historic phone call alters the courses of their futures. This heart-pounding story follows the final day of the first Decker, or person who is going to die, and the national chaos of Death-Cast’s premiere. Silvera crafts a web of intricately interconnected character perspectives and conflicts around Orion and Valentino. Apart from Valentino and his twin sister, who are presumed White, most of the characters are Latine, including White-passing Orion, whose family is Puerto Rican. The story confronts heavy topics like grief, abuse, and religious faith with complexity and care. Despite the presumed inevitability of a fatal end to the central romance between Orion and Valentino, Silvera subverts the trope of punishing gay characters with violent tragedy. Familiarity with the original book provides additional context and depth but isn’t essential to understanding the plot.

A rush of emotion and suspense. (Speculative fiction. 13-18)

Pub Date: Oct. 4, 2022

ISBN: 978-0-06-324080-3

Page Count: 416

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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