by Alston Chase ‧ RELEASE DATE: March 1, 2003
Worthy examination of our “smartest” serial killer.
Sprawling cultural history attempts to link the Unabomber’s crimes to his educational background.
“What effects did Harvard have on [Ted] Kaczynski?” asks environmentalist Chase (In a Dark Wood, 1995, etc.), who, like his subject, attended Harvard in the 1950s, felt alienated from the institution during tumultuous times, and later sought solitude in rural Montana. The author focuses on Kaczynski’s undergraduate participation in an “ethically questionable” psychological experiment conducted by renowned behavioral expert Henry Murray during the last years of his covert Cold War research. To Chase, Murray epitomizes the postwar science establishment in his collusion with the federal government on morally compromised projects such as the CIA’s notorious hallucinogen tests, which drew on Murray’s personality theories. The author sees the young Kaczynski—smart, socially maladjusted, in flight from an oppressive family life—as an embodiment of the ’50s “Silent Generation,” seething with rage beneath a conformist veneer. Chase argues that Kaczynski’s part in Murray’s experiment, which by most accounts involved extensive verbal abuse and trickery, may have provoked his eventual homicidal obsessions. Thanks to his unfortunate Harvard experiences (grinds like Kaczynski were ostracized by the preppy students) and the ’50s “culture of despair,” which directly informed his Unabomber “manifesto,” Kaczynski was radicalized well before his graduate study at Berkeley in the late ’60s, asserts the author. Indeed, he already planned to move somewhere rural and begin a campaign of vengeance. Chase is a solid if sometimes dour writer, and does thorough work here, including actual correspondence with the cantankerous Kaczynski. Readers of his previous, highly controversial environmental writings will not be surprised by his contention that, although mainstream academia shunned Kaczynski’s manifesto, its ideas actually presage the coming of a new generation of eco-radicals. While his broad view of educational and psychiatric transformations during the ’50s and ’60s is provocative, some may feel he strays too far from his purported target, the enigmatic, murderous Kaczynski.
Worthy examination of our “smartest” serial killer.Pub Date: March 1, 2003
ISBN: 0-393-02002-9
Page Count: 416
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by Erik Larson ‧ RELEASE DATE: Oct. 24, 2006
At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history...
A murder that transfixed the world and the invention that made possible the chase for its perpetrator combine in this fitfully thrilling real-life mystery.
Using the same formula that propelled Devil in the White City (2003), Larson pairs the story of a groundbreaking advance with a pulpy murder drama to limn the sociological particulars of its pre-WWI setting. While White City featured the Chicago World’s Fair and America’s first serial killer, this combines the fascinating case of Dr. Hawley Crippen with the much less gripping tale of Guglielmo Marconi’s invention of radio. (Larson draws out the twin narratives for a long while before showing how they intersect.) Undeniably brilliant, Marconi came to fame at a young age, during a time when scientific discoveries held mass appeal and were demonstrated before awed crowds with circus-like theatricality. Marconi’s radio sets, with their accompanying explosions of light and noise, were tailor-made for such showcases. By the early-20th century, however, the Italian was fighting with rival wireless companies to maintain his competitive edge. The event that would bring his invention back into the limelight was the first great crime story of the century. A mild-mannered doctor from Michigan who had married a tempestuously demanding actress and moved to London, Crippen became the eye of a media storm in 1910 when, after his wife’s “disappearance” (he had buried her body in the basement), he set off with a younger woman on an ocean-liner bound for America. The ship’s captain, who soon discerned the couple’s identity, updated Scotland Yard (and the world) on the ship’s progress—by wireless. The chase that ends this story makes up for some tedious early stretches regarding Marconi’s business struggles.
At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history lesson.Pub Date: Oct. 24, 2006
ISBN: 1-4000-8066-5
Page Count: 464
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2006
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by Jeanine Cummins ‧ RELEASE DATE: June 1, 2004
Apt tribute to family endurance in the face of grievous loss.
A wrenching tale of a notorious murder’s long echoes for its survivors.
Cummins terms her debut “both a true crime [story] and a memoir,” intending it to celebrate the lives of her young cousins, Julie and Robin Kerry, killed during a chance encounter in the summer of 1991. Traveling with her family from Washington, D.C., to vacation with relatives in St. Louis, Cummins ruefully recalls, “I thought I was tough.” On their last night in St. Louis, her older brother Tom snuck out with Julie and Robin; the rebellious 18-year-old rookie firefighter had developed a deep emotional bond with his cousins, both lovers of poetry and social justice. The trio went to the decrepit Old Chain of Rocks Bridge, where they ran into four local young men whose friendly demeanor quickly turned savage. The men beat Tom, raped Julie and Robin, then pushed all three into the raging Mississippi River. Only Tom survived, and his family’s horror was compounded when investigators inexplicably charged him with his cousins’ deaths. Tom was held for several grueling days before a flashlight found at the scene led authorities to the real killers, who quickly implicated one another. The least culpable accepted a 30-year plea; the others received death sentences. Identifying herself by her childhood nickname “Tink,” Cummins re-creates these dark events in an omniscient third-person narrative that lends the tale grim efficiency. Although her prose is occasionally purple (“Tink’s blood turned to ice and the room started to spin out from under her feet”), she succeeds overall in acquainting the reader with the horrific toll exacted by proximity to violence. The conclusion, which examines how the cruelest of the murderers became a cause célèbre thanks to his youth, offers astringent commentary on our society’s fascination with killers, who in media coverage often overshadow their victims. Cummins’s memoir does a good job of retrieving the lives of Julie and Robin from that obscurity.
Apt tribute to family endurance in the face of grievous loss.Pub Date: June 1, 2004
ISBN: 0-451-21053-0
Page Count: 320
Publisher: NAL/Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2004
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