A story “about revenge and about love and about sacrifice and the great and terrible things…people do”—and, ultimately,...
Palace intrigue, military stratagems, even cosmic powers can’t eclipse the complex tangle of love, loss, and loyalty in this Arabian Nights–inspired fantasy sequel.
The rebellion against the Sultan of Miraji is collapsing, but months after joining the fight, Amani is doing even worse. Her love life is faltering, her friends are on the run, and she has been captured and sold to the Sultan, who covets her half-Djinni powers. As his prisoner, she’s well-positioned to spy…if she can only conceal her identity, survive the jealousy of the harem, and stop doubting her mission. This follow-up to Rebel of the Sands (2016) retains the heroine’s snarky first-person voice and irresistible attitude while digging much deeper and darker. The appalling consequences and compromises of war are not sugarcoated, but the matter-of-fact evil within the palace may be even more horrific. Nearly every character hurts, betrays, or fails another; yet they remain sympathetic, with understandable justifications. While most (like Amani) are dark-skinned desert folk, others display ethnicities clearly analogous to various African, Asian, and European origins, a diversity fully reflected in their choices and actions. With an expanded geopolitical backdrop, intricate web of schemes, and heightened interpersonal drama, this hefty tome is almost overstuffed with plot, all building to a crescendo of heart-pounding—and heartbreaking—climaxes that will leave readers sobbing and desperate for the next volume.
A story “about revenge and about love and about sacrifice and the great and terrible things…people do”—and, ultimately, about the “truly invincible” power of stories themselves. Superlative. (Fantasy. 12 & up)Pub Date: March 7, 2017
ISBN: 978-0-451-47785-9
Page Count: 528
Publisher: Viking
Review Posted Online: Dec. 25, 2016
Kirkus Reviews Issue: Jan. 15, 2017
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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