A magnificent supernatural saga striding confidently toward its finale.
This third installment of a YA series brings a superlative menace to New Orleans that may require vampires and witches to join forces.
Eight months ago, a monstrous hurricane demolished New Orleans. Sixteen-year-old Adele Le Moyne, despite the witch mark on her arm, has seemingly lost her telekinetic powers. Her coven, including friends Désirée Borges and Isaac Thompson, battled the Medici vampires. Isaac slayed Adele’s undead mother, Brigitte, to save the teenager’s life. Now, Adele has withdrawn from her coven and existence in general. Only when Niccoló, the Medici sibling who’ll do anything for Adele, throws her mother a funeral does the teen reawaken to the world. Meanwhile, Isaac, Désirée, and their friend Codi Daure have been tracking down those possessed by the rogue spirits disturbed by Callisto Salazar and his Ghost Drinkers coven. The trio also strives to protect the city’s numerous cemeteries from Calli’s succubi by using hexenspiegel (witches’ mirrors). Eventually, Adele warms to Nicco’s charm, allowing him to begin exploring ways to restore her magic despite the warning written by her ancestor Adeline Saint-Germaine 300 years ago: “Be safe and stay away from Niccoló Medici.” A vicious attack on Isaac by Emilio Medici bolsters this statement. But Nicco has his own plan to find Calli before an already ruined city can be brought even lower. In this penultimate volume of her series, Arden (The Romeo Catchers, 2017, etc.) brings further heat to her love triangle and a broader, more otherworldly canvas on which to paint her cast’s heroism. The plot’s historical context is, as always, wretched yet captivating. Adele visits Jazzland, an amusement park devastated by the storm, and walks “through piles of stuffed bears in prize booths that looked like they’d been mauled by real ones, and dunking tanks filled with swamp water.” Meaty supernatural components include the lwa (Haitian Vodou spirits) and the accompanying Guinée (a part of the Afterworld). But the true reward for the author’s fans is the continuously vital portrayal of these characters. Adele’s friends love her, and a sweeping gesture in the final third is sure to make the audience misty-eyed.
A magnificent supernatural saga striding confidently toward its finale.Pub Date: Jan. 22, 2019
ISBN: 978-0-9897577-4-4
Page Count: 650
Publisher: For the Art of it Publishing
Review Posted Online: April 17, 2019
Kirkus Reviews Issue: June 15, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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