A pleasantly bookish ghost story.
Historical fiction entwining the fate of a bereaved Harvard student and the late Harry Elkins Widener.
Harvard’s Harry Elkins Widener Memorial Library was endowed by his mother in memory of her son, who was just 27 years old when he went down, along with his father, on the Titanic. Lore has it that he parted from his mother in the lifeboat to go back to his stateroom for a priceless book; Richman’s tale grows out of her notion that this was not the real reason. Oh yay, another doomed love story on the Titanic! To wend her fictional way to that watery heartbreak, the author has invented a lonely Harvard junior named Violet Hutchins, who gets a job as a page at the Widener in 1992, the fall after her boyfriend, Hugo, drowns while they are out for a swim, and also breathes life back into Harry Widener himself, now a spirit who lives in his eponymous library and uses his considerable ghostly powers to set Violet on the trail of a story no one has ever known, the story of his secret love. “The one thing a ghost learns rather quickly is that the living fail to appreciate subtlety when it comes to receiving otherworldly communications,” Harry says, before chucking books off the shelf and filling the air with the scent of his pipe tobacco to get Violet’s attention. Richman also weaves in the true story of vandalism at the Widener in the 1990s, blame for which shifts toward poor Violet, who’s making everyone nervous with her Ouija board and her growing interest in communicating with the dead. The progress of her investigation unfolds in tandem with Harry’s account of his doomed love, moving more slowly than would be ideal, but finally snapping together as one thought they might. The novel has a YA feel and indeed might be shared with a history-minded young reader.
A pleasantly bookish ghost story.Pub Date: Oct. 14, 2025
ISBN: 9781454953210
Page Count: 416
Publisher: Union Square & Co.
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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