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ACROSS THE LAKES

A first novel by a Sri Lankan-born, Indian-educated writer now living in Scotland begins with much promise, but loses steam as obvious, plot-driven events rush an abrupt resolution. The story opens at a fashionable Calcutta lakeside rowing club where Putul sits drinking; he’s been in Scotland for three years working on his doctorate and thinks he’s entitled to some leisure before joining his uncle’s business. It’s at the club that he runs into the second protagonist, Meena, a distant cousin and young poet who is also just back from Scotland. The third is Choto, the only son of Meena’s family servant, who would rather drink with his buddies than take the jobs his mother finds for him. Finally, there’s John, a young Scottish friend of Putul’s who comes to India to find his family’s roots. All four are impressively delineated, the settings vivid, and the storyline—until it speeds up to reach the finish—current and credible. Choto, hoping to please his mother, starts driving a decrepit cab. Meanwhile, Meena, caught up in her family’s attempts to find a wife for her brother Dada, falls in love with Ranjan, whose sister might marry Dada. Thus far, the leisurely narrative seems to be setting readers up for a long, satisfying tale. The pace changes, though, when John gets into the cab driven by Choto, who has recently given a ride to a group of political agitators. Both men are killed when the car goes off the road and explodes; rumors abound that the accident was caused by a faulty part manufactured by a company with political connections. There are no happy endings for Meena and Putul either: the marriage of Meena’s brother to another woman ends her relationship with Ranjan, and Putul, shocked by John’s death, decides to leave India. All of these developments appear forced, a means to quickly finishing off a story whose characters deserve greater care and exposition. One of those rare novels where more would be better than less.

Pub Date: May 15, 1999

ISBN: 1-861590-52-0

Page Count: 246

Publisher: Phoenix/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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