A lasciviously entertaining Regency romp.
A scarred, sharp-tongued nobleman meets his feisty match in Howard’s (What a Scot Wants, 2013, etc.) historical romance.
It’s 1819, and 25-year-old Lady Astrid Everleigh, a cash-strapped Englishwoman, must find a way to save her 16-year-old sister, Isobel, from getting married off to the loathsome Earl of Beaumont; Astrid previously refused his proposal herself, and as a result, he ruined her reputation and marriage prospects with a “horrible lie about her lack of virtue.” For hard-to-understand reasons, Astrid’s only hope is to marry the wealthy, powerful, and single Lord Thane Harte, Duke of Beswick, and she puts the proposal to him after barging in on his bath. Alas, she’s horrified by the scars, left by French bayonets years ago, on Thane’s face and body—a result of Beaumont’s abandoning his post, and a subsequent French ambush. Thane’s temper earned him the moniker “the Beast of Beswick.” Fortunately, she observes, the French spared his “luscious mouth,” “burning” eyes, and muscular torso—among other body parts. Instant bickering ensues, and when Astrid installs herself with Isobel at Beswick Park to catalog Thane’s Ming porcelains, the attraction between Astrid and the duke grows. The young noblewoman also voices feminist theory, which Thane eagerly appreciates—though sometimes less for what she says than how she says it: “Her eyes shone with indignant passion, lips parted, breasts heaving.” Their wedding night comes rather early on, but Howard successfully keeps the sparks flying thanks to Thane’s self-pitying mood cycles—worried that Astrid will leave him because of his scars, he gets cold and nasty; Astrid snaps back and maddens him with scandalous gowns, and bodice-ripping follows. The author’s reprise of “Beauty and the Beast” motifs effectively mixes Jane Austen–ite manners with lewd mores. However, it’s full of anachronistic language—“I don’t want a fucking prince, you idiot. They’re too pretty, too full of themselves, too much maintenance”—and suffers third-act problems as long-anticipated comeuppances fizzle inconclusively. Fortunately, vigorous prose, lively characters—including Thane’s Aunt Mabel, who beds all the footmen—and lubricious rounds of fighting and sex will keep readers turning pages.
A lasciviously entertaining Regency romp.Pub Date: Nov. 26, 2019
ISBN: 978-1-64063-741-2
Page Count: 384
Publisher: Entangled: Amara
Review Posted Online: Nov. 18, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Review Program: Kirkus Indie
Romance, suspense, mystery, and bawdy historical customs add up to a fine read.
A couple with a reputation for crime-solving becomes involved in an odd murder case in 1832 Scotland.
Kiera Gage, better known as Lady Darby, and her husband, Sebastian Gage (An Artless Demise, 2019, etc.), are among the five dozen guests the Duke and Duchess of Bowmont have invited to Twelfth Night festivities at an immense Gothic castle in the Scottish border country. Kiera’s first marriage—the source of the title she'd rather not use—made her both miserable and notorious for executing anatomical drawings for her cruel husband, but she’s more recently gained a reputation as a portrait artist, and the Duchess is her client. Each guest at the ball is given a costume to wear and a role to play; amusingly, the heavily pregnant Kiera is a nun. Although the Duke claims all his children as his own, several of them were actually sired by other men. When his third son, Lord Edward, offers a ghost tour, the Gages are happy to escape the ballroom until the group stumbles upon a dead body in the dungeons. Ravaged by rats and decomposition, the corpse is difficult to identify, but its gentlemanly attire suggests that it may be Helmswick, the husband of the duke's daughter Lady Eleanor, who left for Paris a month ago. The ducal couple beg the Gages to investigate while withholding vital information. Lady Eleanor was unhappy with Helmswick, a man of many secrets and mistresses, and she’s commenced an affair with her first love, the Marquess of Marsdale. After the guests who were not at the castle when the murder occurred are permitted to depart, a disconcerting number of suspects remain behind. Kiera knows she’s touched a nerve when someone tries to push her down a flight of stairs. She and Gage must uncover many family secrets before they can unmask a killer.
Romance, suspense, mystery, and bawdy historical customs add up to a fine read.Pub Date: April 7, 2020
ISBN: 978-0-451-49138-1
Page Count: 384
Publisher: Berkley Prime Crime
Review Posted Online: Jan. 26, 2020
Kirkus Reviews Issue: Feb. 15, 2020
This honest, mature look at life and love adds to a growing body of evidence leading to a decisive verdict: Ciment is an...
Two sequestered jurors on a tabloidworthy Florida murder trial tumble into an impassioned, illicit affair in this engaging, empathetic novel.
In a jury holding room, waiting to be called into the courtroom for a voir dire, two prospective jurors, identified for most of the book only as C-2 and F-17, begin a flirtation that rapidly grows into a full-blown love affair. C-2 is a 52-year-old female photographer of some renown. Having shot portraits for magazines like Rolling Stone and Interview early in her career, she eventually concluded she was interested in people not as individuals but as a species, and she turned her lens to other subjects, such as war and animals. C-2 is married to a much older man, a Pulitzer Prize–winning journalist who is now 85. Their once-ardent relationship has evolved, and she is increasingly aware of the toll time is taking on their lives and bodies. Now, intensely attracted to F-17, a professor of anatomy in his early 40s with a pitted complexion, piercing blue eyes, and “beautiful feet,” C-2 finds herself hoping for “one last dalliance before she gets too old.” As the affair plays out against a backdrop of a gruesome, sad, and unsettling murder trial (a teenage girl stands accused of killing her toddler brother, but is the real culprit her twin sister?) and the shabby Econo Lodge accommodations and unappetizing luncheonette meals the court has arranged for the jurors during their sequestration, C-2, as both a lover and a juror, must weigh issues of guilt and innocence, loyalty and betrayal, life and death, passion and compassion. Ciment (Act of God, 2015, etc.) lays out the plot—part love story, part whodunit, part coming-of-old-age tale—with gentle sensitivity and straightforward intelligence, approaching complex emotions and conflicting loyalties as might a good juror: observing her characters’ behavior with an open mind and heart, an ability to consider context and varied perspectives, an appreciation for the evidence, and a notable lack of judgment.
This honest, mature look at life and love adds to a growing body of evidence leading to a decisive verdict: Ciment is an author well worth reading.Pub Date: June 11, 2019
ISBN: 978-1-5247-4798-5
Page Count: 192
Publisher: Pantheon
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
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