Readers will eagerly wish for a sequel that will allow them to revisit New Reynes.
A sheltered girl seeking her missing mother teams up with an ambitious young crime lord in a dangerous gambling city.
Seventeen-year-old Enne Abacus Salta, a proper white girl from conservative Bellamy, arrives in New Reynes clutching a guidebook to the notorious City of Sin. She is in search of her missing adoptive mother, Lourdes Alfero, a white woman known for her genderfluid style of dress. Enne quickly learns that saying her name is a bad idea—Lourdes has been moonlighting for years as a renegade journalist loyal to the Mizer kings who were overthrown and executed during a rebellion 25 years prior. Desperate, she seeks help from the Iron Lord, the bisexual Levi Glaisyer, dark brown–skinned with bronze-and-black curls. He is struggling to pay for a scheme gone bad lest he be sent to participate in the deadly Shadow Game. Complex worldbuilding and large cast introductions initially cause things to drag, but the guidebook serves as an efficient expository device. A positive take on sexuality and sex work is expressed in a nongraphic manner. While the largest plot twist is all too predictable, the relationship between Enne and Levi simmers, and dangers pile up to an exciting climax.
Readers will eagerly wish for a sequel that will allow them to revisit New Reynes. (Fantasy. 14-adult)Pub Date: April 10, 2018
ISBN: 978-1-335-69229-0
Page Count: 384
Publisher: Harlequin Teen
Review Posted Online: Feb. 4, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Combines the best parts of the earlier books with confidence and creativity, sustaining strong momentum throughout.
Friendships, romance, and long-awaited answers combine for a triumphant trilogy closer.
A couple of dramatic prologues and some early exposition bring readers up to speed about the mysteries and players of Hemlock Falls. Winnie Wednesday, Erica Thursday, and Jay Friday have formed a clue-gathering trio collectively known as the WTF triangle. The three agree to work together to uncover the truth behind mysteries involving Winnie’s missing father and Erica’s late sister. Winnie’s star has risen in this entry: Characters who teased her during the events of the first book are now cheerfully welcoming toward her, and her romance with werewolf Jay continues to heat up. Her ongoing guilt and trauma over deaths from prior books ground the narrative, while sprinkled-in pop-culture references and a recurring Emily Dickinson motif showcase her nerdy personality. Changes in the format—such as scriptlike dialogue sequences and daily schedules for the Nightmare Masquerade—break up the narration in creative ways. The eventual reveal of a looming threat that’s targeting everyone Winnie knows starts the countdown of a ticking clock within the story. Meanwhile, a slew of fantasy monsters ensure high enough stakes, suspense, and action to bring the story to a heart-racing and satisfying conclusion. Winnie and Jay present white, and Erica is cued Latine.
Combines the best parts of the earlier books with confidence and creativity, sustaining strong momentum throughout. (Fantasy. 14-18)Pub Date: Nov. 19, 2024
ISBN: 9781250339485
Page Count: 384
Publisher: Tor Teen
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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