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SECOND LIFE

HAVING A CHILD IN THE DIGITAL AGE

A captivating, charged, and crucially provocative consideration of motherhood in modern America.

A panoramic query into how pregnancy, birth, and motherhood have been reshaped by technology and social media.

At seven months pregnant, Hess spent an hour on an ultrasound table that became “the moment that [her] relationship with technology turned.” Her first book traces the events leading up to that moment, and then the days, weeks, and years that followed, chronicling not only her personal experience but the many—sometimes unsettling—ways that it intersects with technology. Technology, for Hess, is a behemoth, including everything from common medical equipment to menstruation-tracking phone apps to the “motherhood internet” (and its anti-natalist mirror). Each twist or milestone in the author’s story has a touchpoint with either diagnostic machinery, anonymous online message boards, data collection, or social media influencer accounts; each of those intersecting items has a history, context, and agenda related to the ideals and tensions of womanhood and society itself. Having reported on the nuances and phenomena of internet culture for the New York Times and other publications, Hess brings to her subject humility, curiosity, and a sly, self-aware wit rooted partially in her own adoption of online life. She investigates both seemingly harmless, ubiquitous advances and more fringe online movements and characters with an open thoroughness that renders her trustworthy. Her sweeping and incisive research, paired with her personal vulnerability, reveals a series of slippery slopes and potential (and existing) ethical quagmires from which no prong of technology is entirely exempt. With her distinct perspective evolving in real time, she shares a fresh and complicated take on how the particular conditions of pregnancy and motherhood stretch and thin the lines that technologies, companies, and communities walk between informing and advertising, between monitoring and surveilling, and between sharing and judging.

A captivating, charged, and crucially provocative consideration of motherhood in modern America.

Pub Date: May 6, 2025

ISBN: 9780385549738

Page Count: 272

Publisher: Doubleday

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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