Nimbly tackles dual genres in a tale that will appeal to fans of any age.
Realizing her recurrent visions are just one of her supernatural abilities, a teen falls in love with a ghost and finds herself the target of a sinister presence in Kerr’s (Magnetic, 2015, etc.) paranormal romance.
When a neighbor reports that 17-year-old Jane Anderson is often home alone, social services puts the Texan girl on a train to live with distant relatives in Hartford, Connecticut. Escaping an abusive, neglectful mother, Jane is initially wary of Dean and Joanna Rochester. But as she grows to trust her surrogate family, she’s disturbed by the fixer-upper that will soon be the Rochesters’ new home, which she had already seen in her dreams. The teenager’s frequent visions and lucid dreams have likewise predated her running into handsome blond Will in the nearby woods. The same-aged boy, as well as younger Nadine, Ethan, and Emmett, stayed at the house back when it was an orphanage—during the Great Depression. They’re benevolent ghosts with whom Jane, unlike other humans, can make physical contact. That’s good news for Jane and Will, who quickly fall in love and surrender to mutual lust. Unfortunately, there’s another persistent spirit, homicidal rapist Frank Sullivan, who, along with wife Pearl, tortured and murdered the children. Frank possesses humans to assault Jane, until he realizes he need not “borrow a body” to get his grubby hands on her. The novel is an impressive blend of romance and tension. Jane bounces back and forth between affection for Will and anxiety over her inevitable confrontation with Frank. Jane confides in Dean, her honorary stepfather, who suggests Jane hone her gifts. Despite Frank’s reprehensible deeds, Kerr avoids lingering on violence, and though Jane and Will can touch, sex scenes concentrate on emotional “fireworks” and “breathless bliss” over bodies intermingling. Hints of secrets in Jane’s lineage and her untapped potential set the groundwork for another book.
Nimbly tackles dual genres in a tale that will appeal to fans of any age.Pub Date: Jan. 30, 2015
ISBN: 978-1-5061-5167-0
Page Count: 378
Publisher: CreateSpace
Review Posted Online: Feb. 29, 2016
Kirkus Reviews Issue: April 1, 2016
Review Program: Kirkus Indie
A flawlessly assembled thriller.
In the strange, devastating aftermath of Gray Wednesday, when the Earth's poles suddenly switched, the world is in even greater chaos, climatic distress and financial ruin than it is now.
Not only are people struggling for survival, most of them are shadowed by a ghost. In most cases, it's the ghost of a relative or friend, but for tormented Australian cop Oscar Mariani, the specter is an unknown 16-year-old boy. The son of a storied cop, Mariani works for forever dank and gloomy Brisbane's special Nine-Ten unit, which determines whether a homicide suspect was driven to commit the crime by the maddening presence of a ghost. If so, it's a pardonable offense. Oscar has a vested interest in solving the grisly killing of a girl found ripped apart in a sewage plant, a weird religious symbol carved into her stomach. He has never gotten over the guilt of maiming another teenage girl when he swerved to avoid a boy in the road—the boy, as it turns out, who is now haunting him. When Oscar's dirty superiors order him to back off the case, which involves the abduction, torture and murder of disabled girls from a nursing home, he goes rogue, losing his loyal female partner on the force in the process. It's not enough for him to get beat up, shot and hailed on. In a frightening scene, huge, vulturelike creatures maul him. In the striking retro future of this novel, bizarre and familiar comfortably coincide.
A flawlessly assembled thriller.Pub Date: Aug. 7, 2012
ISBN: 978-0-385-53465-9
Page Count: 368
Publisher: Doubleday
Review Posted Online: Oct. 10, 2012
Kirkus Reviews Issue: Nov. 1, 2012
BOOK REVIEW
Since Wiehl (Eyes of Justice, 2012, etc.) and Nelson’s pulp Armageddon runs into all the usual middle-of-trilogy problems—an...
The demonic evil that first became apparent in St. Adrian’s Academy for Boys spreads further in this sequel to Waking Hours (2011).
When a resident of Westchester County’s High Ridge Manor is 102, it’s not exactly surprising to find her dead. But no one can figure out just how archivist and author Abigail Gardener died—not county Medical Examiner Baldev Banerjee, not forensic psychiatrist Danielle Harris, not even Dani’s ex-fiance, neurochemist Quinn McKellen. One thing that seems certain is that Abbie’s passing follows from the murder of Julie Leonard, even though the death of Julie’s presumed killer, sociopathic St. Adrian’s student Amos Kasden, might have seemed to close that case for Detective Philip Casey of the East Salem Police Department. Another thing that seems equally certain is that there’s more than a whiff of sulfur and brimstone around St. Adrian’s. The place so reeks of infernal possession that Dani and her boyfriend, private eye Tommy Gunderson, try to snoop electronically on Dr. Adolf Ghieri, the school’s psychologist. Their failure to bug the sinister Ghieri’s computer kicks off another round of demonic manifestations, fueled this time by a warning angelic messengers deliver separately to Dani and Tommy: “Someone is going to betray you. Someone you trust.” As the intrepid pair, afraid to confide in each other, struggle to discern who the trusted betrayer is, the authors can’t resist spilling the beans to the gentle reader, cutting the mystery without significantly increasing the suspense.
Since Wiehl (Eyes of Justice, 2012, etc.) and Nelson’s pulp Armageddon runs into all the usual middle-of-trilogy problems—an ill-defined beginning, a cliffhanger ending and endless, relatively shapeless conflict in between—readers are advised to start with Waking Hours before entering this door to East Salem.Pub Date: Oct. 2, 2012
ISBN: 978-1-5955-4943-3
Page Count: 336
Publisher: Thomas Nelson
Review Posted Online: Aug. 20, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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