In a tardy prequel to I Need My Monster (2009), candidates for that coveted spot under the bed audition.
As the distressingly unflappable young narrator looks on, one monster after another gives it a go—but even with three mouths, the best roar Genghis can manage is a puny “blurp!”, silly shadow puppets by shaggy Morgan elicit only a sneeze, and red Abigail’s attempt to startle by hiding in the fridge merely leaves her shivering and pathetic. Fortunately, there’s Gabe, who knows just how to turn big and hairy while lurking outside the bathroom and whose red-eyed stare and gross drooling sends the lad scrambling into bed to save his toes. “Kid, I think this is the beginning of a beautiful friendship,” the toothy terror growls. Right he is, the lad concludes, snuggling down beneath the covers: “His snorts and ooze were perfect.” As usual, the white-presenting child’s big, bright, smiling face and the assortment of bumbling monsters rendered in oversaturated hues keep any actual scariness at tentacle’s length. Moreover, Monster, Inc. fans will delight in McWilliam’s painstaking details of fang, claw, hair, and scales.
Frightful and delightful: a comforting (to some, anyway) reminder that no one sleeps alone. (Picture book. 5-8)