FATIMA'S GREAT OUTDOORS

Fatima’s first camping trip in America reminds her of life in India.

After a rough week at school, feeling different from all the White American children (she and her older sister appear to be the only students of color at their school) and doing poorly on a quiz, Fatima is eager to head off to the woods with her family. Her father says camping is “a great American pastime.” A spider outside their tent at night terrifies both her and her aapa, but it also reminds them of their mother’s bravery, catching lizards in India and throwing them out the window. In the morning, they are eager to cook their bacon (it’s beef and therefore halal), but Fatima and Papa can’t get a fire going. It’s Mama to the rescue again: In her small town, she had to build fires in a wood-burning stove. Fatima remembers visiting her nani’s house as she watches and learns. As the Khazi family packs up for home, Fatima is sad to leave the forest behind and go back to a life filled with busy parents and an unwelcoming school. But she returns with stories to share and more adventures to look forward to. All secondary characters at school and the campground are White until a final spread shows a multiracial group holding a “Brown People Camping” banner (the author founded the movement), Fatima and her family smiling next to it. This unique take on the family camping story feels refreshing and new, with its layered inclusion of big feelings that children grapple with, from immigration and fitting in to mixed emotions about siblings. Lewis’ bright illustrations are heavily influenced by her animation background. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 67.5% of actual size.)

Special. (Picture book. 4-8)

Pub Date: March 30, 2021

ISBN: 978-1-984816-95-5

Page Count: 40

Publisher: Kokila

Review Posted Online: Dec. 25, 2020

Kirkus Reviews Issue: Jan. 15, 2021

Did you like this book?

No Comments Yet

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

Did you like this book?

No Comments Yet

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

THE LITTLE GHOST WHO WAS A QUILT

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

Did you like this book?

No Comments Yet
more