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THE STRANGER NEXT DOOR

Country life and neighborliness are fat targets in this savage little story, the US debut for young Brussels-based Nothomb, whose previous five novels have won acclaim in France. êmile Hazel, retired high-school classics teacher, relocates to the south of France with his wife Juliette, to what is for them a dream house, isolated and picturesque, and thus in every way the antithesis of their former city lives. On their second day of bliss, however, a knock on the door gives them a jolt, as their only neighbor, the grotesquely obese Dr. Bernardin, barges in for a cup of coffee. He stays for hours but won't converse, answering questions mostly in monosyllables. He proceeds to drop by punctually every day thereafter, with no change in attitude, forcing the Hazels to try a range of futile tactics to deter him. Even second-guessing fails: A dinner invitation to Bernardin and his wife, whom at first he steadfastly refuses to bring with him, results in a memorable evening as a bloated parody of a woman (nicknamed ``the cyst'' by her hosts) accompanies Bernardin and makes a meal of the chocolate sauce meant for dessert. The neighbor's solo visits continue, until finally êmile resorts to plain rudeness and shoves him violently out the door. The doctor does not return, but soon after a bout of insomnia allows êmile to rescue his neighbor from a suicide attempt, an act that binds them together in increasingly mysterious ways as the rescuer comes to realize the cruelty in his original gesture—and to make amends in a way that reveals alarming, unsuspected elements of his personality. This isn't the first time that the veneer of civilization has been stripped away to show monstrous urges beneath, but the tables turn here in a particularly eerie, chilling manner, in a combination of psychological astuteness and considerable craftsmanship.

Pub Date: Jan. 1, 1998

ISBN: 0-8050-4841-3

Page Count: 192

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1997

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SAG HARBOR

Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.

Another surprise from an author who never writes the same novel twice.

Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.

Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.

Pub Date: April 28, 2009

ISBN: 978-0-385-52765-1

Page Count: 288

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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