More reliably solid, educational reading material awarded by the American Society of Magazine Editors.

Covering a variety of topics and interests, reporting merit was just one of the subjects judged for literary noteworthiness. Michael Hastings skewered hardheaded four-star Army general Stanley McChrystal with such eagle-eyed scrutiny in “The Runaway General” (Rolling Stone) that it actually prompted the official’s resignation. In another standout, “Covert Operations” (New Yorker), Jane Mayer offers scathing analysis of Charles and David Koch, a duo of wealthy, manipulative libertarians powering what Mayer describes as an unscrupulous political machine. The profile pieces offer lighter fare. Top honors goes to New York Times reporter Mark Liebovich’s profile of Mike Allen, one of America’s most influentially well-connected (and sleep-deprived) political news reporters. Jonathan Van Meter respectfully nods to his longtime comedienne comrade in “Joan Rivers Always Knew She Was Funny” (New York), as does Jonah Weiner in “Kanye West Has a Goblet” (Slate), a slickly written perusal of the grandiose rapper. There’s witty dispatches in Paige Williams’ Bikram yoga class discussion “My Bra’s Too Tight and It’s Never Too Late” (O, The Oprah Magazine) and an outstanding three-part piece from distinguished British author Christopher Hitchens on his battle with esophageal cancer in “Topic of Cancer and Unanswerable Prayers and Miss Manners and the Big C” (Vanity Fair). Elsewhere, Joel Brouwer’s thoughtful verse “Lines from the Reports of the Investigative Committees” (Poetry) succinctly illustrates the enormity of the BP oil spill in the same way Barbara Kingsolver’s eloquent short essay “Water Is Life” (National Geographic) beautifully underscores the vital benefits of Earth’s most precious natural resource. From serious to sublime, there’s a bounty of periodical perfection here.      


Pub Date: Dec. 6, 2011

ISBN: 978-0-231-15940-1

Page Count: 520

Publisher: Columbia Univ.

Review Posted Online: Oct. 11, 2011

Kirkus Reviews Issue: Nov. 1, 2011

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.


A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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