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#FASHIONVICTIM

The shallow friendships, betrayals, shifting alliances, and many, many designer shoes will keep readers hooked and laughing,...

A psychotic fashion editor murders her co-workers to get closer to her intended BFF in this comedic mystery novel, the author's debut.

Anya St. Clair, fashion editor at New York magazine La Vie, is obsessed with her co-worker Sarah Elizabeth Taft, a tall, willowy, rich blonde who is "the source of all things fashionable." Anya is so determined to hang out, do nails, go to bars, and take selfies with Sarah that she will do anything, including murder. Anya's first victim is editorial assistant Mulberry von Gratz, a "fashion girl who couldn't walk in heels," who's found dead in a closet with a vintage shoe smashed into her head. More murders follow as Anya's obsession deepens and the buzzing noise in her head gets louder. If Anya's co-workers seem one-dimensional, it's all part of the fun as death is met with manicures, green juice, and an article about what to wear to a funeral. There's no doubt that Anya is "totes" psychotic, but will Detective Hopper see past her crush on him and figure out the "obvi" fact that she's responsible for the murders? And what's up with Anya's clueless psychiatrist, the mysterious Dr. M? Much of the humor comes at the expense of characters engaged in excessive exercise, self-harm, starvation dieting, narcissism, and paranoia, yet Anya's point of view makes their behavior hilariously funny as well as profoundly unsettling.

The shallow friendships, betrayals, shifting alliances, and many, many designer shoes will keep readers hooked and laughing, if a bit uncomfortably, from Page 1 until the shocking ending.

Pub Date: Sept. 11, 2018

ISBN: 978-1-68331-834-7

Page Count: 304

Publisher: Crooked Lane

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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