Read for the illustrations and the characters (but not the math).
Usha loves two things: trucks and cartwheels (although she’s still not quite sure how to do a cartwheel).
When her big sister, Aarti, points out the Big Dipper while stargazing, Usha doesn’t see a scoop at all; instead, she sees a truck. Usha confidently tells her sister that the constellation (or, more accurately, as Knight notes in the backmatter, the asterism) she’s seeing isn’t a big dipper—it’s a big digger. Things get even more complicated when the girls’ cousin Gloria comes over the next night. Gloria doesn’t see the constellation as a scoop or a truck; she sees it as a kite! Through all of this, Usha practices her cartwheels. Each of the girls is convinced that the others are seeing the stars in the wrong way, until Usha flops on the ground after a failed cartwheel and realizes that the constellation is, in fact, a scoop, a truck, and a kite, depending on its orientation. This latest edition to the Storytelling Math series features stunning illustrations of dark-skinned South Asian protagonists, with Gloria apparently biracial (Black/South Asian). The book bursts with charming images of endearing kids, and the story’s presentation of the girls’ varying, equally valid perspectives is a valuable tool for promoting empathy. However, its success at demonstrating the principle of orientation via a constellation is imperfect; any of the concrete examples in the backmatter would have worked better.
Read for the illustrations and the characters (but not the math). (Picture book. 3-6)Pub Date: Aug. 3, 2021
ISBN: 978-1-62354-202-3
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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