by Corey Mesler Amos Jasper Wright ‧ RELEASE DATE: N/A
A bristling, lurching, and often insightful investigation of the past.
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Wright’s experimental novel meditates on history and racism in the Deep South.
Welcome to Louisiana. This “Sportsman’s Paradise,” as the state motto has it, is a land with a complicated past, from its slave trade to the Battle of New Orleans during the War of 1812 to its showcasing, and later removal, of a statue of Confederate Gen. Robert E. Lee. This fictional journey begins around 2016 in Baton Rouge, the state capital, named after a “red stick” that was once used to demarcate a border. It’s home to a section called Standard Heights, a neighborhood that was once “a company town built for workers by Standard Oil at the turn of the last century.” Many streets in the neighborhood are named after Native American nations—which is odd, given past violence against them by white settlers. Its proximity to what is now a large ExxonMobil plant makes it less-than-prime real estate. It’s also a place that was once home to a man named Toussaint; the pollution was so bad when he was growing up there that his father wouldn’t allow the opening of any windows in the family home. As the narrator, a writer on an unusual quest, converses with Toussaint, the story becomes a personalized tour of Southern injustice. Items for discussion include everything from The Negro Motorist Green Book and lynching postcards to the 2017 Floyd Mayweather-Connor McGregor boxing match. The narrator eventually makes it to New Orleans in time to see the removal of the Lee statue; he reveals that he, himself, is a distant relative to an infamous historical figure. A photo of that man is included, among other images, such as of a crumbling interior of the abandoned Charity Hospital in New Orleans. It all amounts to a collage-like look at America’s troubling past.
Wright’s novel progresses in a concentrated but rather plotless manner in long, dense sentences. The ExxonMobil site in Baton Rouge is described as “a city-state unto itself with its own body of rules and oral traditions maintained by an order of petrochemical priests.” Toussaint speaks of how he “summoned the catawampus courage to overcome the trepidation and the taboo, which had gripped me for years” against opening windows at home. The work abounds with such slow, poetic lines, and their tone works best when guiding readers through lesser-known aspects of the past. For instance, a floodgate system called the Spillway is described, intriguingly enough, as only having been opened 11 times. Yet the work’s unrelenting earnestness can make for some jarring moments that may take readers out of the story, as when Toussaint’s father is said to have taken him to watch the Spillway opening one spring so that he would “fear death by water,” and the aforementioned boxing match is sold as a racial conflict with “white frat-bro types and their blonde ratchets, pumping fists and cheering for McGregor to whipsaw Mayweather.” That said, although the work’s examination of history is unsubtle, readers will be left with more than a few uncomfortable emotions to mull over.
A bristling, lurching, and often insightful investigation of the past.Pub Date: N/A
ISBN: 9781604893434
Page Count: 345
Publisher: Livingston Press
Review Posted Online: May 23, 2023
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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