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THE HELP

This genuine page-turner offers a whiff of white liberal self-congratulation that won’t hurt its appeal and probably spells...

The relationships between white middle-class women and their black maids in Jackson, Miss., circa 1962, reflect larger issues of racial upheaval in Mississippi-native Stockett’s ambitious first novel.

Still unmarried, to her mother’s dismay, recent Ole Miss graduate Skeeter returns to Jackson longing to be a serious writer. While playing bridge with her friends Hilly and Elizabeth, she asks Elizabeth’s seemingly docile maid Aibileen for housekeeping advice to fill the column she’s been hired to pen for a local paper. The two women begin what Skeeter considers a semi-friendship, but Aibileen, mourning her son’s recent death and devoted to Elizabeth’s neglected young daughter, is careful what she shares. Aibileen’s good friend Minnie, who works for Hilly’s increasingly senile mother, is less adept at playing the subservient game than Aibileen. When Hilly, an aggressively racist social climber, fires and then blackballs her for speaking too freely, Minnie’s audacious act of vengeance almost destroys her livelihood. Unlike oblivious Elizabeth and vicious Hilly, Skeeter is at the verge of enlightenment. Encouraged by a New York editor, she decides to write a book about the experience of black maids and enlists Aibileen’s help. For Skeeter the book is primarily a chance to prove herself as a writer. The stakes are much higher for the black women who put their lives on the line by telling their true stories. Although the exposé is published anonymously, the town’s social fabric is permanently torn. Stockett uses telling details to capture the era and does not shy from showing Skeeter’s dangerous naïveté. Skeeter’s narration is alive with complexity—her loyalty to her traditional Southern mother remains even after she learns why the beloved black maid who raised her has disappeared. In contrast, Stockett never truly gets inside Aibileen and Minnie’s heads (a risk the author acknowledges in her postscript). The scenes written in their voices verge on patronizing.

This genuine page-turner offers a whiff of white liberal self-congratulation that won’t hurt its appeal and probably spells big success.

Pub Date: Feb. 10, 2009

ISBN: 978-0-399-15534-5

Page Count: 464

Publisher: Amy Einhorn/Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2009

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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