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LITTLE RED RIDING HOOD

From the My First Fairy Tales series

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This board-book retelling of “Little Red Riding Hood” features colorful, retro-style illustrations and a few movable flaps.

This version of the red-caped protagonist sports a distinctive cone-shaped hood as she enacts the familiar motions of the story. The sturdy interactions include a swinging basket, a blanket that covers the wolf on Grandma’s bed, a spinner that depicts the wolf’s dreams; they give younger kids something to manipulate but do not add much to the story. There are regrettable inaccuracies and elisions in Bradley’s adaptation of Maurin’s translation of the original French text. The neck of a bottle protrudes from the basket, which readers are told contains “cake and butter” for Grandma, and the wolf wears a pair of frilly pajamas, which the text calls “one of [Grandma’s] nightgowns.” This quick story ends with the hunter shown wielding a pair of scissors on the wolf’s bulging belly as the text recounts that he “rescued Little Red Riding Hood and her grandmother” (who emerge unscathed with the pull of a tab). One of the main disappointments of this shortened (but still text-heavy) version is that it skips the “Grandma, what big eyes you have!” routine. The publisher recommends an age range of “0-36 months,” which is consistent with the format but not with the audience’s developmental readiness. Companion title Pinocchio, with illustrations by Tiago Americo, is similarly awkward and unsuitable.

Skip. (Novelty board book. 3-5)

Pub Date: Aug. 28, 2018

ISBN: 978-2-7338-5625-3

Page Count: 10

Publisher: Auzou Publishing

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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RAPUNZEL

From the Once Upon a World series

Adults wishing to expand the worldviews of their young charges beyond Eurocentric interpretations will find plenty of visual...

A retelling of the classic fairy tale with India as its setting.

This latest addition to the Once Upon A World series tells the well-known story of the maiden with beautiful long tresses locked away in a tower by an evil witch and the prince who falls in love with her. As with Perkins’ Cinderella (illustrated by Sandra Equihua, 2016) and Snow White (illustrated by Misa Saburi, 2016), the text has been simplified for a younger audience, and the distinguishing twist here is its setting in India. The mixed-media illustrations of plants, animals, village life, and, of course, Rapunzel, the witch, and the prince come alive in warm, saturated colors. Other than the visuals, there is little to differentiate the story from traditional tellings. As always, it is still the prince who will eventually lead Rapunzel to her salvation by taking her to his kingdom far away from the witch, but that is the nature of fairy tales. The only quibble with this book and indeed with this series is the board-book format. Given the fact that the audience most likely to enjoy it is beyond the board-book age, a full-size book would have done more justice to the vibrant artwork.

Adults wishing to expand the worldviews of their young charges beyond Eurocentric interpretations will find plenty of visual delights in this one, though they’ll wish it were bigger. (Board book. 3-5)

Pub Date: March 21, 2017

ISBN: 978-1-4814-9072-6

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: April 16, 2017

Kirkus Reviews Issue: July 1, 2017

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THE PRINCESS AND THE PEA

From the Once Upon a World series

A nice addition to the series.

A retelling of the well-known Hans Christian Andersen fairy tale with a Russian setting.

The Once Upon a World series travels the globe setting familiar Western fairy tales in different locales. This latest addition to the series is set in Russia and tells the story of the “lonely young prince who wanted to fall in love” and of his parents’ insistence that the bride-to-be be a princess. After traveling far and wide and meeting many princesses who are not right for him, the prince returns home, disappointed. One rainy evening, a wet and cold, dark-haired princess appears at the castle door. Refreshingly, the prince and princess fall in love not because they are a prince and princess but because they have talked and found they have much in common: they have traveled widely, explored the same places, and had adventures. Mirtalipova’s illustrations have a pleasing folksy feel, many pages decorated with pretty flowery borders. One double-page spread of the princess being taken care of by a host of servants is particularly appealing. (With the exception of one brown-skinned princess, all the characters are white.) Though the text has been simplified and the presentation is in board-book format, the intended audience is not the toddler set. And the prince and princess? As with the traditional telling, the princess passes the pea test and they live happily ever after.

A nice addition to the series. (Board book. 3-5)

Pub Date: Sept. 26, 2017

ISBN: 978-1-5344-0019-1

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Sept. 17, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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