A collection of testimonials, by turns disheartening and inspiring, on the radical climate transformations now well underway.
Prominent writers reflect on the personal impact of climate change.
In focusing on how climatic shifts have been felt, mourned, and protested, this essay collection, edited by Brady and Isen, sketches an ecological transition point for humanity: a moment when older adults can recall a more secure past but not avoid confronting an increasingly ominous and insecure future. In “Faster Than We Thought,” Omar El Akkad offers a poignant consideration of how the Qatar of his youth is steadily becoming both unrecognizable and uninhabitable: “Sometime within the next century, stories of life in this place—the stories that constitute almost the entirety of my childhood—will sound, to new generations, like fiction. The tether between what is and what used to be, constantly stretching under the weight of history and progress, will not stretch any more. It will snap.” These essays investigate the myriad consequences of fast-developing, dramatic events, such as massive floods or powerful storms, and slower, more mundane happenings, such as incursions by invasive species and the gradual loss of land to rising sea levels. As the contributors make frighteningly clear, all these phenomena presage enormous challenges for life on Earth. Among the most powerful pieces are those that consider the intersection of scientific and spiritual assessments of climate change, as in Lacy M. Johnson’s “Come Hell,” a contemplation of how Christians in American farm country have reckoned with extreme and unpredictable weather; Rachel Riederer’s “Walking on Water,” which probes Indigenous responses to the construction of a giant dam, and the alarming disruptions to neighboring ecosystems, in Uganda; and Delia Falconer’s “Signs and Wonders,” an exploration of the complex dynamics of imaginative reactions to a biological apocalypse around the globe. Though there is a tilt toward American perspectives and many of the writers have a connection to New York City, overall, the book presents a diverse portrait of environmental awareness and distress.
A collection of testimonials, by turns disheartening and inspiring, on the radical climate transformations now well underway.Pub Date: June 14, 2022
ISBN: 978-1-64622-030-4
Page Count: 288
Publisher: Catapult
Review Posted Online: Feb. 7, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Are rivers alive? Macfarlane delivers a lucid, memorable argument in the affirmative.
The accomplished British nature writer turns to issues of environmental ethics in his latest exploration of the world.
In 1971, a law instructor asked a musing-out-loud question: Do trees have legal standing? His answer was widely mocked at the time, but it has gained in force: As Macfarlane chronicles here, Indigenous groups around the world are pressing “an idea that changes the world—the idea that a river is alive.” In the first major section of the book, Macfarlane travels to the Ecuadorian rainforest, where a river flows straight through a belt of gold and other mineral deposits that are, of course, much desired; his company on a long slog through the woods is a brilliant mycologist whose research projects have led not just to the discovery of a mushroom species that “would have first flourished on the supercontinent [of Gondwana] that formed over half a billion years ago,” but also to her proposing that fungi be considered a kingdom on a footing with flora and fauna. Other formidable activists figure in his next travels, to the great rivers of northern India, where, against the odds, some courts have lately been given to “shift Indian law away from anthropocentrism and towards something like ecological jurisprudence, underpinned by social justice.” The best part of the book, for those who enjoy outdoor thrills and spills, is Macfarlane’s third campaign, this one following a river in eastern Canada that, as has already happened to so many waterways there, is threatened to be impounded for hydroelectric power and other extractive uses. In delightfully eccentric company, and guided by the wisdom of an Indigenous woman who advises him to ask the river just one question, Macfarlane travels through territory so rugged that “even the trout have portage trails,” returning with hard-won wisdom about our evanescence and, one hopes, a river’s permanence and power to shape our lives for the better.
Are rivers alive? Macfarlane delivers a lucid, memorable argument in the affirmative.Pub Date: May 20, 2025
ISBN: 9780393242133
Page Count: 384
Publisher: Norton
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.
But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.
But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.
Pub Date: Sept. 24, 1979
ISBN: 0312427565
Page Count: 370
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Sept. 1, 1979
BOOK TO SCREEN
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