GHOSTWAYS

TWO JOURNEYS IN UNQUIET PLACES

A lovely evocation of some “spectral and unreal” elements of the British landscape.

Travels in spectral places whose names are barely on the map of England—and so much the better.

Writing with Donwood and Richards, Macfarlane, perhaps the foremost British nature writer at work today, extends his fascination with little-known geographies—see his last book, the outstanding Underland (2019)—by visiting two beyond-the-ken English districts. The first is the “untrue island” of Orford Ness off East Anglia, both wild and bearing a heavy human footprint. Half a century ago, it was used by the government for nuclear tests; now, “brown hares big as deer lope across expanses of shingle cratered by explosions, and the wind sings in the wires of abandoned perimeter fences.” Macfarlane walks the sandy, grassy landscape, delivering a portrait that blends poetry, prose poem, dialogue, and essay, peppered with sightings of the ghostly and uncanny. As is his wont, the author sprinkles long-forgotten landscape terms throughout his pages (“drongs, sarns, snickets, bostles”). One of them is the subject of the second part of the book, the “holloway”—the hollow way, an ancient avenue of humans and animals worn in the soft rock of Exeter, some thousands of years old. “A sunken path, a deep & shady lane,” writes Macfarlane. “A route that centuries of foot-fall, hoof-hit, wheel-roll & rain-run have harrowed into the land,” kin to a hedgerow but wilder still, since few holloways are used by modern travelers: “They have thrown up their own defences and disguises: nettles & briars guard their entrances, trees to either side bend over them & lace their topmost branches to form a tunnel or roof.” The writing is idiosyncratic and elegant, the story inviting enough that, for all its eldritch elements, one might wish to wake up covered in dew and join Macfarlane, Richards, and Donwood (perhaps best known for his Radiohead album covers) in a meal of damson gin and tea-bread—and maybe see a few ghosts along the way.

A lovely evocation of some “spectral and unreal” elements of the British landscape.

Pub Date: Nov. 24, 2020

ISBN: 978-1-324-01582-6

Page Count: 176

Publisher: Norton

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

CALL ME ANNE

A sweet final word from an actor who leaves a legacy of compassion and kindness.

The late actor offers a gentle guide for living with more purpose, love, and joy.

Mixing poetry, prescriptive challenges, and elements of memoir, Heche (1969-2022) delivers a narrative that is more encouraging workbook than life story. The author wants to share what she has discovered over the course of a life filled with abuse, advocacy, and uncanny turning points. Her greatest discovery? Love. “Open yourself up to love and transform kindness from a feeling you extend to those around you to actions that you perform for them,” she writes. “Only by caring can we open ourselves up to the universe, and only by opening up to the universe can we fully experience all the wonders that it holds, the greatest of which is love.” Throughout the occasionally overwrought text, Heche is heavy on the concept of care. She wants us to experience joy as she does, and she provides a road map for how to get there. Instead of slinking away from Hollywood and the ridicule that she endured there, Heche found the good and hung on, with Alec Baldwin and Harrison Ford starring as particularly shining knights in her story. Some readers may dismiss this material as vapid Hollywood stuff, but Heche’s perspective is an empathetic blend of Buddhism (minimize suffering), dialectical behavioral therapy (tolerating distress), Christianity (do unto others), and pre-Socratic philosophy (sufficient reason). “You’re not out to change the whole world, but to increase the levels of love and kindness in the world, drop by drop,” she writes. “Over time, these actions wear away the coldness, hate, and indifference around us as surely as water slowly wearing away stone.” Readers grieving her loss will take solace knowing that she lived her love-filled life on her own terms. Heche’s business and podcast partner, Heather Duffy, writes the epilogue, closing the book on a life well lived.

A sweet final word from an actor who leaves a legacy of compassion and kindness.

Pub Date: Jan. 24, 2023

ISBN: 9781627783316

Page Count: 176

Publisher: Viva Editions

Review Posted Online: Feb. 6, 2023

Kirkus Reviews Issue: March 1, 2023

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