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SUNDAYS ON FOURTH STREET/LOS DOMINGOS EN LA CALLE CUATRO

It is Sunday, and a young Hispanic girl is getting ready to spend the day with her mother, Uncle Armando, Aunt Pilar and her cousins Pepe and Edgar on historic Fourth Street—calle Cuatro—in Santa Ana, Calif. They go window-shopping, ride the carousel, eat tacos, enjoy performances of folk dances, get haircuts and shop at the supermarket. At sunset they get back home, exhausted and ready to begin a new week. The story’s refrain, “It could be any Sunday on Fourth Street,” expresses a cultural tradition embraced by many Hispanic immigrants for years. Costales’s text in both English and Spanish reflects the child’s excitement, with a subtle nostalgic tone that is reinforced by Jerome’s melancholic watercolors. They beautifully depict the characters’ faces and skin tones but fail to represent the festive atmosphere of the populous street. Inquisitive children may notice that some of the images do not coincide with the text. Nevertheless, this is a great selection for bilingual storytimes on Mexican Americans. (Picture book. 5-8)

Pub Date: Nov. 30, 2009

ISBN: 978-1-55885-520-5

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2009

Categories:
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BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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ROBOBABY

A retro-futuristic romp, literally and figuratively screwy.

Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.

Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)

A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-544-98731-9

Page Count: 32

Publisher: Clarion Books

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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