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PLAGUE COUNTRY

This suspenseful sci-fi story packs the kind of energy and danger teen readers thrive on.

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Fifteen-year-old author DeBellis’ debut young adult novel is a futuristic, dystopian tale that pits a group of teens against a new virus.

This science fiction story opens as protagonist January makes one last desperate trip into the chaotic, decimated town of Dyruit. A bubonic plague–like disease has been tearing through the region in the wake of a devastating economic collapse that wore the country’s resources down to bare bones. January and her sister, Cara, are fleeing south to Traxa, the capital, where it’s said to be safe—and where they believe their parents have been living since they mysteriously left the girls seven years earlier. This sisterly bond and inevitable rivalry keeps these characters sympathetic and relatable throughout the book. As they drive south in one of the area’s few remaining cars, they see scenes of depleted natural resources and devastation. When their car dies, the girls pick up their belongings and begin to walk—a gun in easy reach. Soon they happen across a boy named Nev and coerce their way into his car. The close quarters make it easy for Cara to begin trusting Nev, but January’s suspicion takes longer to wear off. Upon arriving in Traxa, the sisters start the fearful search for their parents’ whereabouts. As the story progresses, readers see Nev become only the first of several friends for the girls; it’s these friendships that help the teens survive the challenges ahead and regain hope. The plot, characters and voice of DeBellis’ novel will engage teen readers from the very first page. The pacing is spot-on, keeping things moving without leaving readers in the dust. While the events are far from readers’ experiences, the characters’ emotions and interactions are relatable to today’s teens. Though the story doesn’t draw strict references to the present, some readers might consider it a disturbingly realistic vision of the future.

This suspenseful sci-fi story packs the kind of energy and danger teen readers thrive on.

Pub Date: Jan. 9, 2012

ISBN: 2940013737808

Page Count: -

Publisher: Amy DeBellis

Review Posted Online: March 22, 2012

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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