Have cookie dough and frosting ready, as kids are sure to want to try their own hands at decorating after a few laugh-filled...
A dinosaur-shaped cookie takes matters—and frosting—into his own doughy hands.
The dino comes out of the oven full of himself, claiming to be “Cookiesaurus Rex, the King of All Cookies.” While he likes the green frosting the hand of his white baker squirts on him, he becomes disgruntled at the sight of the other cookies’ decorations, which include sprinkles, shiny stars, and gumdrops. He demands a “do over.” But the baker isn’t too fond of Rex’s imperiousness, issuing commands with nary a “please.” The hand uses bright pink frosting to turn Rex into a ballerina. The dino scrapes it off with a spatula, but the tantrum prompts the hand to turn him into a diapered baby, complete with a chocolate-chip trail of poop. That’s it! Let the battle begin! Rex is a superhero, a duck (“Ha-ha. I’m quacking up”), a ninja, a clown. But when Rex fashions himself into a king to beat all Mardi Gras kings, readers see a bit more of the creator than just a hand. The other cookies can’t help but smirk: “He took a licking.” Ford’s bright and funny illustrations perfectly complement Dominy and Evans’ tongue-in-cheek text. The cheeky dino is full of personality and spunk, and his facial expressions are priceless, inevitably recalling Daffy’s in the classic cartoon “Duck Amuck.”
Have cookie dough and frosting ready, as kids are sure to want to try their own hands at decorating after a few laugh-filled rereads. (Picture book. 3-7)Pub Date: Sept. 26, 2017
ISBN: 978-1-4847-6744-3
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
Fans of macabre, tongue-in-cheek humor (and twist endings!) will enjoy time spent with Penelope.
When a young T. Rex named Penelope starts school, she learns some lessons about her classmates; most importantly, they are not for eating.
Higgins’ starts out as most back-to-school books do: A nervous youngster equipped with an awesome new backpack and hearty lunch worries about her classmates. But then the orange-and-white dino, who’s clad in pink overalls, is taken aback to find that all her classmates are children—the human kind. And “children are delicious,” so she eats them. Mrs. Noodleman forces her to spit them out and reiterates the titular rule. Penelope’s classmates, covered in disgusting spit, express their displeasure with hugely expressive faces and postures. Penelope’s efforts to make friends are unimpressive to the kids (and will have readers in stitches!). A sad and lonely dino trudges home to some advice from her parents, but the temptation the next day is just too great. “Mrs. Noodleman, Penelope ate William Omoto again!” The whole class is afraid of her, except Walter, the goldfish. But when she extends the hand of friendship to him, he gives her a taste of her own medicine, leading to a change of heart and some new friends. Higgins’ illustrations combine scanned textures, graphite, ink, and Photoshop elements, and they feature a wonderfully diverse class that includes a girl in hijab, a tyke in glasses, and a boy wearing a kippah amid classmates of varying skin and hair colors and body types.
Fans of macabre, tongue-in-cheek humor (and twist endings!) will enjoy time spent with Penelope. (Picture book. 3-7)Pub Date: June 19, 2018
ISBN: 978-1-368-00355-1
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: June 1, 2018
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